Uncanny Cats: Not Exactly T.S. Elliot

DATELINE: Cat Got Your Tongue? 

Way back in 1977, on the heels of a career of low budget horror movies, Ray Milland took off his toupee and faced the snarling, pouncing faces of cats. The film was titled The Uncanny, which is hardly catty enough.

Yes, what Alfred Hitchcock did for The Birds, this film wanted to do for your cute and cuddly pussycat. Don’t ask what’s up, pussycat, because writer and scientist Peter Cushing believes that cats are the devil’s messenger—and they have it for him. He has written a book and is trying to sell it to publisher Milland.

Like Erich van Daniken, Cushing’s paranormal writer has tackled the Pyramids, UFOs, and other topical crypto-science subjects—and has turned his attention to a conspiracy of cats. And, his feline nemesis is not a happy camper.

If your idea of fur balls turning evil is good for a laugh, this movie is for you. If you belong to Internet websites that features kitty cats doing funny things, you may be horrified. Well, that is the point of this film.

As for us, we never grab a pussy by the tail—and recommend you don’t either!

The sordid little tales are set in London in 1912, Hollywood in 1936, and in contemporary Montreal. We should tell you that the cold winter of Montreal does not stand in well for Los Angeles.

The cast is downright overblown: Donald Pleasance and Samantha Eggar are in Hollywood, and Simon Williams—fresh off Upstairs/Downstairsas wastrel James Bellamy has a cat moment himself. A few other known faces, like John Vernon, are also in the storyline.

The film did not ruin anyone’s career, having been lost for decades and forgotten by everyone involved. It isn’t HItchock level, and it is of varying brutality and humor, but you seldom find a movie in which cute kitty-cats are filmed like horrid monsters, leaping from balconies to kill.

As a curio, this one is worth peeking at.