DATELINE: Non-conformist Weirdo Stuff !
To Twonk or Not to Twonk?
When the protagonist of your movie is a pedantic philosophy professor (the ubiquitous Hans Conreid) in 1952, you likely had a bomb of a movie on your hands. When star Conreid said this to director Arch Oboler, the temperamental auteur noted he needed a tax write-off for the year anyhow.
The Twonky was based on a Lewis Padgett short story, one of the earliest visionaries to see computers and AI as the controlling force of the future.
Robbie the Robot and Gort were the mechanical men of the age (though a primitive slave robot was at work in Gene Autry’s Phantom Empire in 1935). It was the Twonky, a creature from the future who took up life in a modern TV set.
As eggheads decried television as a wasteland back in the 1950s, it is all the more ironic that the future visitor and time traveler would end up as an animated TV set.
Though Professor Conreid finds it distasteful to be at the mercy of a trained computer that tries to fulfill every wish, it would today make for a great weekly series on TV. The Twonky is there to make life easier for humans—and to monitor them, depriving privacy and free choice.
Its comedic elements are frightful, and the man who sees it all to clearly is the college football coach, an old geyser played by Billy Lynn. He drops pearls of insight and knocks the hero for not knowing his science fiction.
Arch Oboler’s weird film is decades ahead of its time, criticized for its humor and poor technical effects, the movie is actually on the marvelous side. We enjoyed watching the Twonky climb stairs, throttle a TV repairman, and strip a bill collector down to the birthday suit.
The best moment for us, as former college professor, was when the doctor offered Professor Conreid a sedative. He demurred as he had to write his college class lecture that night—to which the doctor noted, “Oh, well, then you don’t need a sedative.”