Uncanny Cats: Not Exactly T.S. Elliot

DATELINE: Cat Got Your Tongue? 

Way back in 1977, on the heels of a career of low budget horror movies, Ray Milland took off his toupee and faced the snarling, pouncing faces of cats. The film was titled The Uncanny, which is hardly catty enough.

Yes, what Alfred Hitchcock did for The Birds, this film wanted to do for your cute and cuddly pussycat. Don’t ask what’s up, pussycat, because writer and scientist Peter Cushing believes that cats are the devil’s messenger—and they have it for him. He has written a book and is trying to sell it to publisher Milland.

Like Erich van Daniken, Cushing’s paranormal writer has tackled the Pyramids, UFOs, and other topical crypto-science subjects—and has turned his attention to a conspiracy of cats. And, his feline nemesis is not a happy camper.

If your idea of fur balls turning evil is good for a laugh, this movie is for you. If you belong to Internet websites that features kitty cats doing funny things, you may be horrified. Well, that is the point of this film.

As for us, we never grab a pussy by the tail—and recommend you don’t either!

The sordid little tales are set in London in 1912, Hollywood in 1936, and in contemporary Montreal. We should tell you that the cold winter of Montreal does not stand in well for Los Angeles.

The cast is downright overblown: Donald Pleasance and Samantha Eggar are in Hollywood, and Simon Williams—fresh off Upstairs/Downstairsas wastrel James Bellamy has a cat moment himself. A few other known faces, like John Vernon, are also in the storyline.

The film did not ruin anyone’s career, having been lost for decades and forgotten by everyone involved. It isn’t HItchock level, and it is of varying brutality and humor, but you seldom find a movie in which cute kitty-cats are filmed like horrid monsters, leaping from balconies to kill.

As a curio, this one is worth peeking at.

 

 

Madhouse/Funhouse/Nuthouse & Then Some!

DATELINE: One Last American International Horror

 

 

 Cushing & Price

 

Madhouse is a nuthouse extravaganza movie with a funhouse spirit.

Vincent Price finished up his American International contract, which featured so many classic Edgar Allan Poe tales done outrageously, that it seemed inevitable that he would go out with a blaze. Here, he plays a movie star who made a bunch of movies as “Dr. Death,” a hideous murderer. Art imitates life here.

His career went south when he was accused of cracking up and murdering his fiancée. Whether he did it or not is the crux of the horror. You may find more than a fair share of suspects trying to “gaslight” the old star.

Well, after a dozen years in a madhouse, he returns to acting to star, good grief, in a TV series based on his infamous character.

If you haven’t guessed that most of the funhouse nuthouse stuff is all tongue-in-cheek, you miss more than most of the Hammer House parody.

Joining Price is Peter Cushing as his best friend, fellow actor, and screenwriter of all those grisly murder movies.

If that is not spicy enough for you, A-I studios dug up their two other favorite stars of the 1960s—Boris Karloff and Basil Rathbone—and featured them in amusing cameos. It’s no mean feat, as the two legendary stars were long-gone for about a half-dozen years by the time this film was before the cameras.

You have to love a movie that begins with everyone watching a film in a Hollywood mansion with the final credits rolling out the words, “The End” in blood red letters.

If shameless overacting isn’t your thing, then you may not appreciate the golden opportunity Price has been given: he even dresses the part, in white trench coat and matching fedora.

There is even an O.J. Simpson moment when Scotland Yard has everyone try on the murderer’s glove: if it fits, you know the rest…So, O.J.’s lawyers found the idea in this movie!

Playing Mr. Toombes, Price puts a cutrate on fellow cast members as they are all mysteriously dispatched as the new TV series takes place at British studios. It is a nicely set film with solid production values to make you forget this is what a good cast and production team can do with a low-budget.