DATELINE: Ebbing Tide!
Two major Oscars went to the star actors of Three Billboards Near Hibbing, Minnesota, or was it Ebbing, Missouri?
We think the ridiculous title seemed laughable at first, but becomes seriously apt by the end.
Frances McDormand and Sam Rockwell play borderline sociopathic and violent characters who are held in check by the small-town sheriff played by Woody Harrelson.
Audiences have been deeply bothered by a racist cop (who may be latently gay) and vindictive mother of a murdered girl who become, weirdly, sympathetic, owing to the brilliant performances of Oscar winners Rockwell and McDormand.
The audience faces a story wherein characters repent and try to mend their nasty ways. It’s not looked upon with much favor. It becomes far worse if they turn into outright vigilantes, leaving us with complete moral and ethical ambiguity. We seem to forget Bruce Willis has just released his remake of Death Wish, the ultimate film about taking the law into one’s hands, just to entertain us.
The Oscar winners are surrounded by other tour de force actors, playing small-town Missourians to the hilt. And, there were likely no other stars who could have played the leads: we doubt that Meryl Streep or Tom Cruise could have pulled it off with such aplomb or lack of glamour.
The story has absurdist elements that make for that most deplorable of all genres: dramedy or black comedy, with fewer and fewer laughs along the way.
Perhaps life is not so black and white as good guys and bad after all, but our movies usually refuse to reflect this. This film challenges its audience to live with moral ambiguity in their art, as well as in life.
This is the first movie in quite some time in which characters mention Shakespeare and Oscar Wilde in the same scene, among other quirks, making this the most intriguing film of the year.