Not Schlock at all: Tormented

DATELINE: Low-budget does not mean schlock.

Hang on, Juli Hang on, Juli!

We were a tad put off by the Amazon Prime description of a 1960 movie as a “schlock classic,” and then found the blurb noting that it was Richard Carlson in 1960 as a jazz pianist who is haunted by his former girlfriend.

This sounded intriguing at worst, and it was not truth in advertising. Tormented is a highly professional, thoroughly hypnotic little bit of ghostly lore.

Carlson cut his teeth on the Creature from the Black Lagoon movies, and after was relegated to B-pictures. Well, he was a B-star always. However, he was one of those actors who was far more intelligent than the material and gave everything a kind of gravitas.

The accidental death of Vi, or at least her deliberate lack of saving, haunts Tom (Carlson). In her earliest scenes in particular, Juli Reding sounds like Marilyn Monroe, and even has the hair style down pat. Her later appearances in a flowing flimsy dress seem like Marilyn’s “Happy Birthday gown” for President Kennedy.

Perhaps the most schlocky thing in the movie is when Vi appears to torment Carlson by showing up as a disembodied head on his coffee table. Her ghost is almost comical, to the point of reversing the Vertigo end in ironical fashion-plate boiler-plate.

Wonderful character actor Joe Turkel shows up here in a ghost movie and later made a big hit as a ghost in Stanley Kubrick’s The Shining. He speaks in the jazz lingo of the 1950s, Dad.

With its simple and elegant beach house and light house as main sets, the film has a minimalist quality that really does not impede its effect. We love the two bodies pulled from the ocean and dropped next to each other. Nice touch.