Current War: All-Star Bio-Bash

DATELINE: Threesome of Stars!

         Hoult, Cumberbatch, Shannon: Currency

 

The Current War  was withheld from release and largely ignored because it was produced by pariah and sex abuser Harvey Weinstein.

The shame is that the movie is actually extremely good with remarkable performances. All for naught, thanks to Weinstein’s behavior.

In case you missed it, like most movie viewers, it is the story of Thomas Edison and his nasty rivalry with George Westinghouse over the burgeoning electricity industry and light bulbs. Yes, it is quite a topic for an intelligent and well-directed film. The production is positively incandescent.

This is not dry history, but crackles when Benedict Cumberbatch tosses Sherlock under the bus and adopts a middle American accent of a low-brow creepy Edison. Forget the grand dignity of Spencer Tracy in the role way back when light biopics were the rage.

 

Cumberbatch plays Edison as a lying media hound in Trump proportions and the semi-great man stole many of his ideas whilst in his tyrannical Menlo Park lab from workers like Nikola Tesla who is called here a “futurist,” played by Nicholas Hoult (who has given us J.D. Sailnger and Tolkien performances in recent years). Hoult may be the new Paul Muni.

At the other end of the electric feud is George Westinghouse (Michael Shannon) as the dignified and aristocratic rich inventor who wanted DC electricity—and between the insults with Edison, the two men play backlit characters to the real star of the movie, Tesla in the person of Hoult.

You won’t be shocked to hear that this film is an actors’ dream showcase. We will resist calling the performers electrifying or even working in deep undercurrent.

It’s reasonably accurate in its history too, which is a plus. We have always had a soft spot for those classic matchup of actors playing off and against each other. This time we have a trio to add to the mix of Burton and O’Toole, Heston and Olivier, and Lancaster and Douglas, all in historical feud movies.

This film is the first to try the rivalry with three historical figures and three grand performers. Marvelous.

 

 

 

Next Step in the Epstein Investigation?

 DATELINE: Costume Ballers

 Weinstein/Epstein/Maxwell.

 What a trio!

When Prince Andrew threw a costume ball, Ghislaine Maxwell and Jeffrey Epstein joined Harvey Weinstein for fun and games.

Word is now filtering out of the Southern District of New York federal prosecutor’s office that the arrest of Ghislaine Maxwell is opening up a Pandora Box. They may be looking at an investigation into public officials tied into the Jeffrey Epstein case.

You have political types jumping up and down on both sides of the aisle:  Republicans think Bill Clinton is under the gun, and Democrats think Donald Trump is the person of interest.

The term “public official” certainly rules out Prince Andrew, the son of Queen Elizabeth and a royal slime-ball of another country’s color.

Trump’s firing of the US Attorney Geoffrey Berman last week indicates that he was attempting to de-rail any investigation into Rudy Giuliani or Alan Dershowitz, two Trump allies with connections to Epstein’s unsavory sexual history. Bill Gates and Elon Musk have taken to the powder room to keep dry.

Everyone denies their culpability, but the rumors for years of loose morals among these people can be uncovered on many websites and news feeds over the past decade or so. Like Harvey Weinstein and Kevin Spacey, all seem to be connected to each other, crossing paths or socializing with no distance too close. Ghislaine’s photo with Kevin Spacey from 2002 has been unearthed, and pix of Weinstein with Epstein are also now easy to find.

If you want to believe in a network of sexual predators, you don’t have to stretch the mind too far. Nearly all these people were flight risks on the Lolita Express, Epstein’s aptly named jet to perdition.

Some experts think Ghislaine will talk a good game to escape a long prison term; others believe she will never make it to trial. Accidents do happen when you cross billionaires and political power horses.

 

 

 

 

 Showtime with Bob Fosse

DATELINE: Anti-Chorus Line! 

Young Bob Fosse in 1953.

There would be no moonwalking Michael Jackson without Bob Fosse’s choreography pioneering the way back in the 1950s.

Fosse went from dance/ taskmaster to director of movies, producing musicals like All That Jazz, Cabaret, and Sweet Charity, that contained thematic drama and ideas far beyond those of mortal danseurs.

The documentary film of his life seems to feature many British dancers and young ballerinas who likely weren’t born during Fosse’s heyday. One prima ballerina also lists herself as a quantum physicist in the credits. Oi vey.

Fosse danced at a young age, and by 13 was professionally dancing in a strip joint with older women. Today someone would be under arrest. However it affected him, we can see likely in movies like Sweet Charity, about prostitutes and dancers.

There is considerable talk that Fosse wanted to be another Fred Astaire, but his hairline was an issue, as were his looks. That problem also dogged Astaire, but he thrived. Fosse may well have been a poor actor, but his electric dances in Kiss Me Kateand Damn Yankeeswon him accolades—and his third wife, Gwen Verdon.

Time is also devoted to his idiosyncratic use of hands and hips in dances. And, like Mike Nichols, he came to film directing late in life, age 41 and learned on the job. Of course, he was on movie sets since the early 1950s, observing.

By the time he made Cabaret, Fosse was a drug-addled, alcoholic womanizer with a deplorable attitude. Today he’d be in jail with Harvey Weinstein, but in the early 1970s, they gave him an Oscar, Emmy, and Tony, all in the same year.

It did not improve him, or stop him from having three heart attacks.

Fosse tried to show a dancer’s life in All That Jazzwith an ugly counterpoint to the more joyous A Chorus Line,by James Kirkwood, made almost contemporaneously. Showtime dancers might have different opinions to the two parallel worlds. It may be revealing how few people (none) who knew him participate in this documentary.

His final film was a non-musical about an abusive murderer of his wife, based on the true story of Dorothy Stratton. It was called Star 80.  His last act was directing Chicago on stage, but he died in 1987 and never made it his crowning achievement.

 

 

 

 

 

 

What Would Marilyn Tell Harvey Weinstein?

DATELINE: Hollywood Sexual Harassment

MM Grand Marilyn

Despite all of the complaints by actresses about Harvey Weinstein, we keep wondering what legendary star of the 1950s, Marilyn Monroe would have to say about the Hollywood scandal.

Miss Monroe spent her entire life trying to find respect as an actress in an industry where she was treated like a cheap platter of hors d’oeuvres.

She might tell us she is not surprised by what’s going on today. She might tell us nothing has changed. She could tell us that some of the most important people of the 20th century sexually harassed her and abused her.  And, it was all in a day’s work.

That was the price you had to pay to become a superstar while trying to find roles that served her talent. She was the plaything of athletes and president. On that score, not much is changed.

Our superstar athletes and our President are known sexual abusers.  Or at least use locker room talk regularly when they grab women unceremoniously.

Miss Monroe had to leave Hollywood to go to New York stage in order to find dignity as an actress. But she didn’t realize this condition of sexual cruelty was the norm of her career choice.

Hollywood derived from sexual innuendo, sexual hijinks, and serial sexual users.

Harvey Weinstein and a plethora of male stars and producers have victimized men, women, and children, since Hollywood’s earliest days.

We think Miss Monroe would tell us, if you choose this life as an actress and you are beautiful, you better be ready for what’s going to be thrown at you.  It’s no big deal to be the victim of injustice.