Another Canard Tossed at Tom Brady

DATELINE: Uncle Tom’s Cabin and White Rice

 Racist Tom at Kentucky Derby 

If being an old codger in the NFL isn’t enough to create mockery, now a humbug New England sex professor is accusing Brady of the canard of a can of worms: the racist card canard.

Every time we try to extricate our reputation of being a Tom Brady critic, the forces of New England sports pull us back into the maelstrom.

Our latest laugh riot opinion centers on a University of Rhode Island Gender Studies professor who has written that Brady’s appeal is to white nationalist-types and typos.

If you know academia, like we do as a former don of the academic mob, you know this sort of “professor” has used gender politics as his bread and butter with jam topping.

Brady, guilty of deflating footballs and playing when he should be in a rocking chair, has now incurred the wrath of some transplant transgender New Englander who hates sports and loves gender misidentification. This sensation-seeking pariah now has taken aim at Brady’s Trump-loving demeanor.

It seems back in 2015, Uncle Tom expressed support for Trump and kept a MAGA hat in plain view that incensed Chicagoans like Jussie Smollett.

Now Brady is accused of fostering racism on his Kentucky Derby trips with many friends (nearly all of whom are, uh-oh, white in a sport that has 66% black players). As a crypto-Nazi sort, Tom-boy is always kissing owner Robert Kraft (who is Jewish) and Julian Edelman (who is lesser Jewish).

You may want to overlook that Brady recently invited black icon Antonio Brown to live in his home where his young daughter and model wife also reside. We have to complain that this is surely a coverup of his racism, unless you want tenure at URI.

Prof. Kyle Kusz sounds like a mixed bag of a political windbag variety.

Throwing a log onto the racist Brady theory encourages racist supporters’ fire-down-below is a low-blow even for an academic in New England unless he already has tenure and loves death threats.

Are You a Boy or Are You a Girl: The Assignment

 DATELINE:  Singular Revenge Tale

michelle rodriguez  Ultimate Tomboy?

You won’t find many gender-bending mob hitman movies out there, but Walter Hill has directed and written the best one: The Assignment.

Literate, clever, and intelligent, as well as violent, this film manages to answer the question raised by the old Barbarians song.

This is a revenge tale with a twist of lemon. Frank Kitchen is one of those androgynous, bearded killers who looks like Ralph Macchio in most scenes and a bit like Marlon Brando in On the Waterfront in a few others. Even as an attractive woman, Rodriguez still looks like Ralph Macchio.

The actor playing Frank is Michelle Rodriguez who in a clever bit of computer effects has a full-frontal nudity scene as a young man. She has the posturing and macho attitude to play the killer who meets the wrong doctor.

Also gender-bending is Sigourney Weaver, as a tough masculine female plastic surgeon who decides, beyond experimentation, to have revenge on the mob killer who murdered her brother. She drugs him and turns him into a woman. Yes, castration and breast implants do not make the girl quite.

Since Weaver’s doctor loves Edgar Allan Poe, she leaves the calling card “Nevermore” next to the gender-bent Frank, left with nasty instructions in a cheap hotel room.

Tony Shaloub is around as a psychiatrist investigator who has to hear the story from Weaver in a strait-jacket while in a mental hospital. She cannot convince anyone that she did the sex operation on Frank and he really exists now as a woman.

Weaver and Rodriguez have a few good scenes together, especially when she admires her plastic surgery by commenting that Rodriguez is attractive in a “shop girl/waitress” way. Tony Shaloub compliments Weaver for her “cheap theatrics” in her confession.

Good performances and a good script make this action revenge flick way above the pack of gender-bending tomboy movies.