Tom, Giselle, Boris & Natasha!

DATELINE: Met Gala Stun Guns Again

Tom, Giselle, Boris, Natasha

Yes, right after the Kentucky Derby “and they’re off—” comes the notorious Met Gala in New York where the show horses and would-be celebrities fall all over themselves on the red carpet.

Yes, on the heels of the bizarre nature of Westworld’s second season comes Evan Rachel Wood, Kim Karadasian, and Elon Musk, on the red carpet.

Our favorite had to be Tom Brady, erstwhile ageless quarterback and his wife (the billionaire), looking like refugees from 1960s Gilligan’s Island. Indeed, you had to wonder if Jonathan Nolan had produced the glitzy extravaganza as a means to publicize his TV HBO weirdo series.

You can’t tell the androids from the guests.

What Tom Brady has had to do to cause his wife to agree to let him play for two more seasons? You have only to look at his outfit as the twosome cavorted with other Barbie and Ken dolls.

Yes, Tom is wearing nail polish. You can’t see the multi-colored nail polish on his feet. And he looks like he is storing botox in his cheeks. Yet, the rash comments that he and wife look like James Bond villains is a tad off-the-mark.

Tom is not auditioning to play Dr. No, nor Goldfinger. He is acting like a friendly Russian that would charm President Donald Trump, whose hair would have fit right in on the red carpet.

Tom and Giselle came across as Boris and Natasha, those 1960s spies who gave Bullwinkle Gronk and Julian the Flying Squirrel fits.

Halloween comes early. However, we did see Patriots owner Robert Kraft and his young Baby Mama. To our shock, Kraft was NOT wearing his blue collar/white shirt. He did have de rigueur tennis shoes with his tux.

You have to love insanity with money.

 

 

Westworld 2.3: Lost in a Tortured Storyline

DATELINE:  Where Have All the Plots Gone?What's My Line?

Playing What’s My Line, on Westworld 2.3.

If you tuned in a little late to the latest episode of Westworld, you might have to double-check your channel listings. It seemed as if you had stumbled into one of those old BBC TV series about India and the Raj.

Such is the nature of the tortured storyline presented by Jonathan Nolan and Lisa Joy. You may not recognize the characters, surroundings, or goings-on. We supposed that was meant to be part of the show’s confusing allure.

New, old, past, present, familiar, unfamiliar, are all fair game for the Worlds Beyond Westworld. We go from the Raj to the world of Kurosawa over the course of the hour. Welcome to the ever-new, ever-dangerous Samuraiworld.

We are reunited with cast members thought lost, dead, or reprogrammed along the way of the latest series entry. There is some relief to discover the actors still have jobs a few weeks into the second season.

Indeed, the Brit writer in the series, not of the series, played by Simon Quartermain, can even mimic the words the android hosts will utter before they utter them. Well, that’s the power of the writer, which is not saying much or saying too much.

In the case of Nolan and Joy, creative forces behind the tortured storylines, they had a lot of ‘splaining to do on this night and threw the Bengal tiger storyline out of the jungle and into the Raj for a viewer hunting for an irrational story.

We also learned the fate of the woman with the Snake Tattoo, now back with Thandie Newton’s tech workers as her prisoners.

At this rate the new season of episodes will end before we have established where last season’s minor characters have gone.

Perhaps, unwittingly, we and HBO have just signed on for the long haul of five or six seasons. Dolores Delos (Evan Rachel Wood) finds her old robot father and that his memories are not really erased after all, but have gone into some wild Westworld cloud, to be recovered by a tech wizard (android Bernard, Arnold, or whoever, Jeffrey Wright).

Yes, we are still here, but are finding the high altitude of Internet clouds are too convenient for lost souls of Westworld 2.3.

Westworld 2.2, Better Off Dead?

DATELINE:  Reunion, or Bring Yourself Back Online

Barnes & Simpson

Ben Barnes and Jimmi Simpson

The second episode should have been first. Westworld 2 was better the second time around.

If jumping across timeframes becomes easier with practice, we should have seen this coming first. Flashbacks highlight the episode to before the start of “Westworld” as a land of fantasy for rich players in which the prototype robots party in Contemporary World, our time.

We even see Ben Barnes again, killed by evil William at the end of the first season.

Everyone dead from last season is alive again through the miracle of backstory. We even see the young Anthony Hopkins flash by and hear his voice, warning the real Bernard/Arnold about his creations.

Ed Harris and his young self, Jimmi Simpson, seem far more explanatory this season and especially in this episode. We are even given the multiple level chess game of seeing flashbacks within flashbacks. It’s as if Joe Mankiewicz at his greatest Hollywood style had been reincarnated in android version Jonathan Nolan.

Yes, Westworld returned to the thrilling days of tantalizing its core viewers, as the ultimate tease mystery.

To see Dolores in modern times, given insights by her creators, lends understanding to the revolution of robots in Westworld.

A few stories even briefly cross before future episodes will give fans more insights: Thandie Newton and her beau automaton Rodrigo Sandoro meet the strong-willed Evan Rachel Wood and James Marsden.

Will they meet again? Don’t know where, don’t know when.

Jeffrey Wright’s real person (not his later robotic self) figures only in the opening. His future scenes of the previous episode remain inexplicable at this point.

Story arc of the first episode, less interesting, was completely missing this week—and the meat of the sadistic monster hosts dominated the proceedings. We may not fully understand where this is heading, or who will return again, but Nolan and his partner Lisa Joy have produced an intriguing series, season two

Brave New Westworld 2

DATELINE: Westworld Returns to TV

brave, new westworld? Re-programming Required on all Models!

Now for something completely borrowed.  It appears, as the second season of Westworld dawns, producer and creator Jonathan Nolan is returning to the roots of Sergio Leone’s Once Upon a Time in the Westworld.

The robot revolt has resulted in more guest deaths than we could have suspected if they had assembled the entire cast from season one. Dead bodies, mostly rotting, are clearly human.  The recovery team traipsing around the park finds Robert Ford, shot by the show’s cowgirl, Dolores Delos (Evan Rachel Wood), with a gaping hole in his head. That likely ends the theory that dirty coward Ford (Anthony Hopkins) was a robot.

Bernard (Jeffrey Wright), a closet robot, now must hide his identity lest the humans simply shoot him in a fashion reminiscent of concentration camp purges by the human controllers. He needs an oil job before he terminates.

Maeve (Thandie Newton) has saved Westworld’s script writer who is a human most unpleasant as she seeks a fictional child to whom she has some maternal robot feelings (told these are not genuine has no effect). She also locates her hot, lanky boyfriend (Rodrigo Santoro).

The Man in Black, a major stockholder in Westworld, and last season’s young man (Jimmi Simpson) in a parallel storyline, returns as mean as ever. Ed Harris even removes the Robert Ford boyhood model to show his true spirit.

No one comes across here as remotely controlled for sympathy.

Between the bloodbath scenes of innocent humans being shot by sociopath monster robots, we are somehow meant to feel human compassion for a slave revolt.

Shades of Spartacus.

We have met the human Roman Nazis—and according to Jonathan Nolan’s cryptic script, they are us. Whereas Nolan’s Person of Interest production people populate the cast and crew, we are left without that show’s sense of dry wit.

Last season’s smartest show on TV has become dumb-witted.

Confusion and horror are not the best honey to attract the busy bees of cable sci-fi fans who have come to expect intrigue and humor. It’s a disappointing start to the second season.