DATELINE: Consenting Monsters?
Love after Death.
In the days before cable TV, let alone streaming movies, we last saw the Monster in Son of Frankenstein from 1939. So, we jumped at the chance to look at the star-studded horror classic.
Basil Rathbone as Sherlock Holmes fits in well as Colin Clive’s son 25 years later, indignant that the small-town minds refer to the monster by his distinguished family name. He is bemused when Igor notes the Monster is his half-brother.
Bela Lugosi, as a Dracula clone, returns as the undead Igor. Yes, he was hanged, declared dead, and came back to life. It gives him a special aura, not to mention the hideous makeup that Jack Pierce laid on him.
Boris Karloff returned to play the Monster one last time. His wardrobe has changed enough that he now wears a sleeveless sheepskin pullover. Not to point out the obvious: he is a wolf monster in lambskin clothing.
One of the bigger surprises is Lionel Atwill as the inspector of the small town with his creaky fake arm that he postures in salute or to hold a cigarette. Our favorite scene is when he puts his darts on the forearm before throwing them. Mel Brooks, where are you? The best scenes in the picture are when master scene stealers Rathbone and Atwill lock wits.
The story has an insipid subplot featuring the good doctor’s toddler son, an American like his mother, and both are point killers.
We loved the moment when the son (Rathbone as Sherlock) deduces that Lugosi has a hypnotic effect on the monster. “Elemental, my dear Benson,” he notes.
If there is any shockeroo, it is that Igor and the Monster seem to be gayly consenting adults. Igor can’t keep his hands off the Karloff creature, and they are clearly soulmates.