No Private Lives for Taylor and Burton



The Battling Burtons as depicted by Helena Bonham Carter and Dominic West

The second TV movie of the year hit the small screen with all the impact of a million dollar star of yesteryear shrunk appropriately.

After the Lindsay Lohan version of a woman who had a true sense of literature, who knew what film acting entailed, and had a theatrical sense about life, we now have the Helena Bonham Carter version of Elizabeth Taylor at 50.

This one focuses upon her grand passion: Richard Burton (Dominic West). The stars are at a more mature point in life and were to do Noel Coward’s Private Lives. He had recommended it to them, but Taylor didn’t come up with the idea again until 1983. Coward really did have them in mind and told Taylor and Burton it was written for them in 1930 without ever having met them.

Carter and West seem like they are playing a real life version of Who’s Afraid of Virginia Woolf. And, in reality that movie epitomized them—and so art imitated art imitating the Battling Burtons. Carter feared she would look like a female impersonator in Taylor costumes, but her fears were unfounded.

This version makes us nostalgic again for their larger than life talents and movies. We saw them on stage in Private Lives all those many years ago, and they were magnificent—though critics disparaged them.

Burton died shortly thereafter, and they never filmed a movie version of the play. This little motion picture comes about as close as one can. We almost wished that Carter and West simply had put on Private Lives as Burton and Taylor.

The movie took us back in time and made us sentimental for the old days. It may not have that effect on younger audiences, but this is the second biographical movie we have anticipated this year (Behind the Candelabra is the other).

View it as a pale shadow of the real thing and think wistfully of how the titans of that age are now gone. Burton and Taylor was a lovely trip down memory lane.