DATELINE: Perry Mason Meets Murder, She Wrote!
When Perry Mason meets Jessica Fletcher, we have a murder mystery donnybrook, she wrote. Murder Me Please is a surprise of the first magnitude. Who knew?
In 1956, fresh off Godzilla, Raymond Burr took on another role in which he spoke into a tape recorder while murderous film history was made around him. It was likely this movie role, heroic and protagonistic, that won him the lifetime achievement as lawyer Perry Mason. This is his first true Perry Mason role.
Here, he must defend a woman he knows is guilty of murder—and live with the consequence of exonerating a danger and menace.
His nemesis is Angela Lansbury, looking all too femme fatale before moving into matron roles. Here she gives one of her last great villain acting jobs (culminating in Manchurian Candidate).
This film noir is so dark during the first 15 minutes that you want to scream at the screen to turn on a light.
It is classic 50s nighttime in Los Angeles among the upper-classes. The supporting cast is gem-laden: Dick Foran is the cuckold husband, and John Dehner is the Ham Burger to Burr. Young Lamont Johnson is the callow artist in his final acting job before going on to direct movies.
This is a Peter Godfrey picture, meaning it is stylish and professional, before he slipped into directing routine television anthology shows.
The fireworks between Burr and Lansbury are worth your time. It was a forgotten B-picture in its era of 1956, with far more interest today as a sign of great actors having a field day.
One problem is the print of the movie, clearly abused by time with scratches, lines, and other distractions coming from careless handling of the prints. Yet, the film itself transcends with its harsh, hard-knocks, noir crime thrills.
Lansbury and Burr would become TV icons as Fletcher and Mason, but that is mere promise in this movie. This is acting war.