Gothic Lunacy: Lord Byron’s Party

DATELINE: A Dark & Stormy Movie

 

Polidori, Shelley, and Byron, aka Spall, Sands, and Byrne

 

If you want to learn about the dark and stormy night in 1816 that resulted in the creation of Frankenstein and Dracula by Lord Byron’s pals, you might look elsewhere.

Ken Russell’s hothouse and nuthouse movie about Percy and Mary Shelley and Lord Byron is pure Gothicnonsense. As was the style of Russell back in 1987, you had a psychedelic version of biography and history. It is not satisfactory.

The cast is somewhat exemplary:  Gabriel Byrne as lame Byron, Julian Sands as pretty Shelley, Timothy Spall as off-putting Dr. Polidori, and Natasha Richardson as demure Mary! Wow, you almost expect the acting alone will carry the film.

However, the director hijacks every moment and even has cast members chewing on rats. We thought the film turned into that rat-festival moviel, Willard.And, inexplicable pythons wrap around suits of armor. Yep, it’s Ken Russell.

Instead of a dark and stormy night where these highly creative people choose to write great books, we have a literal ghost story. The demons are really around every corner. You almost feel sorry for the servants who basically take a powder during the latter part of the movie to avoid these koo-koo birds.

The summer without sun inspired the writing of Frankenstein and Dracula. Byron took credit for Polidori’s work, and Byron couldn’t write prose. The stepsister of Mary is around for crazy moments in which the sexual peccadilloes of the characters is tested.

We have more than your usual homoerotic connections between the men, including some fairly passionate kisses, but Julian Sands was never prettier. Gabriel Byrne seems to have bigger breasts than the women stars. Timothy Spall is actually slim.

The film becomes increasingly erratic and difficult to watch, as befits what did in the style of Ken Russell ultimately. We had hoped to see something truly fascinating, but not quite on the level of a train wreck.

 

 

 

 

 

 

Yes, It’s Over, Over There!

DATELINE: Do You See What We See?

Laird Cregar

For those who have trouble understanding the definitive moments of history, science, and world politics, you witnessed on a hot afternoon in Miami in December the Fall of the Roman Empire.

Lest our metaphors shock you with their doomsday scenario, we will say it more simply: the New England Patriots have met catastrophe. Humpty Dumpty has fallen off the great wall and the Patriots cannot put him together again. Atlantis just sank into the ocean.

There will be those who say it is merely one loss on a long road of successes.

The cognoscenti will recognize that Tom Brady’s career will never recover. The team on which he plays has imploded. Its vaunted brain-trust has just been eaten by viral amoebas. You have just seen someone cough up his lung and his guts. King Kong has fallen off the Empire State Building. Satan has been cast out of Heaven.

A game that might have been won anytime in the past 20 years by the Patriots, was lost.

It is the end of the story when Cinderella loses her glass slipper, and the clock strikes midnight. It is the time you see a small, insignificant man behind the curtain who resembles Belichick in whom all New England fans trust, and he says he is not the Wizard of Oz and to ignore him.

Robert Oppenheimer said it best when the bomb when off and the clock ticked away: “I am the Bringer of Death.” Bring on a new generation of football stars and dynasties.

You cannot exaggerate too much what has happened in the world. Sometimes matters are puzzling and frightful. Here they are as clear as you can ever hope to see. Donald Trump stole the election and now you know.

Ding Dong, the Witch is Dead. The New England Patriots just sang the Swan Song of Football.