Sean Young with Body Double and Advanced CGI
If Blade Runner 2049 is any indication, Los Angeles is not going to improve any from the first Blade Runner. We believe it seems to snow much of the time.
If we are going back to the future, give us Looper. It looked like a place we’d like to visit, not this horror.
Last time we caught Ryan Gosling, he was singing and dancing in Los Angeles. This time around, he appears to be a replicant, or some derivative thereof. It’s hard to tell a Tyrell replicant robot from the latest bioengineered creatures.
Gosling is an unhappy, soulless creature. No time to sing and dance here.
There are still ‘blade runners’ hired to exterminate these illegal older versions by newer versions. What we have here is the revolutionary notion that these machines can procreate semi-humans. That inspires the new Tyrell model mogul, in Jared Leto’s odd performance.
It’s also a mess of a movie, running nearly three hours of unremitting Dickensian darkly future predictions.
You have a remarkable cast, including Robin Wright as the head cop—and appearance by Edward James Olmos in the retirement home, and Sean Young appears as her ever-young self in a cameo that must take CGI to the limits. She doesn’t look a day older than the 1982 movie. She’s now 58. Pee Wee Herman should be jealous.
Harrison Ford is around mostly for decoration because you don’t have a movie without him as Deckard, older than dirt.
If the movie doesn’t leave you comatose, you may be a replicant. If someone believed that this film would stand up to the frequent re-views like the original film did, you’d be deluded. This is not the classic, brilliant first movie. It’s a shake-your-money-maker mind-numbing sequel.
Fans of the first film paid homage by giving this one an Oscar for special effects.