DATELINE: Overripe Vintage Villains
Oh, no, not a noisy car chase movie with Nicholas Hoult? Heavens, spare us. On top of that, the Brit actor again plays an American boy with a surfer accent. Not bad.
He seems to have gone the route of James Franco—two inconsequential movies and one film of substance. Collide seems to be inconsequential, but not so fast.
We rolled our eyes when the first scene of Nick Hoult is his blue eyes in the rear-view mirror as he races down the highway, heading for a metaphoric crash as the voice-over notes how he did it all for love.
We prepared for movieland dismissal. However, something surprised us: suddenly there was Ben Kingsley in one of his patented creepy mobster roles, watching an old John Travolta movie and commenting on the bad acting. Oh?
He started calling Hoult by the movie star name of “Burt Reynolds.” We were hooked, and then some when Kingsley’s archrival drug kingpin is none other than Shakespearean nasty villain Anthony Hopkins, playing the respectable son of a Nazi interrogator.
All the crime henchmen look like the bearded ladies at the circus. And, one of many chases was on.
It was ridiculous to say the least: Hoult’s girlfriend is on dialysis, but remains a party-girl for his love. Big crime will pay for a kidney transplant. Okay.
The chases and fights do leave Hoult breathless and agonized, which one seldom sees in heroes of this brand of movie. He clearly wanted to perform with the legends of Hopkins and Kingsley—and he manages to more than hold his own.
It’s all over the top, but we stayed around for the credits—never expecting that Hopkins and Kingsley would be billed as “Sir Anthony” and “Sir Ben” and then have stunt doubles listed.
Yeah, we liked this one.