DATELINE: Mexico & Villa
Peck & Fonda
Years ago we passed up Old Gringobecause of Jane Fonda. It seems a generation past, and it was. She had the temerity to be the only one to make a movie about Ambrose Bierce, the extraordinary American literary figure.
We thought there would be others to make such a film, but in 30 years, no one has.
So, we turned to it now, on streaming view, to see old Gregory Peck playing Old Gringo. He is always marvelous, and here was another role in which he could shine: as the cynical, burned out, angry writer who ran off to Mexico because the fake media had used him his entire life.
This story is fiction and speculation. Bierce meets a naïve governess who has gone there to Mexico without knowing Villa’s revolution is in progress. She is used like a pawn by a rogue general under Villa played by the hot tamale of the time, Jimmy Smits.
The film is one of those tortilla Westerns with plenty of shoot-outs and western action. It seemed incongruous for both Peck and Fonda as they played out a freakish firing squad scene and tourista Americans.. Fonda is now 80+ and Peck is long gone.
When the gratuitous action calms down, they play a May-December love scene that is actually brilliant and touching. She is a spinster never expecting love, and he is an old reprobate whose career prevented him from smelling the roses.
If one scene can make a film, two legends brought it to life. The old politics is now long lost in today’s society, and so are these great actors.
Better to have waited to view this strangely literary movie amidst the chaff of movie crap.
Ambrose Bierce disappeared in Mexico in 1912, and this is only one theory of his demise. Yet, in movie annals, it may be the last word.
Half-way through the film, the American woman falls in love with the foreign revolution—and we had some sense of Fonda still fighting the Vietnam War. When the end comes, she has betrayed the identity of a great man for self-interest, perhaps a moment of ultimate guilt.