DATELINE: Campion as Keats Champion
Ben Whishaw is John Keats in this sumptuous movie by Jane Campion. If you want a sense of what living in 1818 was like, this film will provide it—from drafty houses to ill-fitting clothes.
Director Jane Campion ended her feature-length movie association with this effort called Bright Star. She felt there was no room in movie universe nowadays for real literary films with the domination of cartoon heroes stealing all box-office receipts.
Keats is a Romantic poet, but that does not mean he should be presented as a Hallmark cable channel character. Romance is a 19th century philosophy, not a sentimental love story.
Campion illustrates the quaint conceits of another era when bohemian poets hit the wall of standard social norms.
This is a costume drama where the costumes are shabby because there really was no haute fashion when poet John Keats was putting ink to paper—with grubby ink-stained fingers.
Though Abbie Cornish is delightful as the “bright star,” in Keats’ life, she is maddeningly and alternately feminist and fading flower. It makes the movie almost guaranteed to please nobody. This film likely impressed Madonna enough to give Cornish the lead in her film of the romance of the Duke and Duchess of Windsor in W./E. the following year.
Campion, as director, is an artist true to herself, like Keats, and she walks a fine line with her saucy seamstress as muse.
After playing Sebastian in Brideshead, Ben Whishaw had cornered the market on sensitive/effete men for a few years, and his Keats may be poetic, but we don’t have a sense of his “consumptive” doom within a few years. It may be a shock to those who don’t know the biographic facts. Marriage is not within his power because of debt, not illness.
This may seem a frivolous love story on some levels, but director Campion has eschewed directing films ever since—to our great detriment as followers of intelligent character study.