DATELINE: Bad Indians
Fenimore Cooper’s Romantic epic of the West takes place in upstate New York, of course, in 1757. It’s where and when the wild west begins in The Last of the Mohicans.
The 1936 version of the classic is extremely well-done, but has what you might expect from a studio version in the black & white age. The American Indians (before becoming Native Americans) are played by actors with fair skin and blue eyes. This is particularly noticeable for the most noble of all American Savages, Chingachgook.
The last of the bad Indians, Magua, is played terrifically by underrated Bruce Cabot, fresh off fighting as a stalwart hero against King Kong. This time he is barely recognizable with his Mohawk haircut and bare midriff. He is sullen, dangerous, and quite impressive.
The King Kong hangover continues for him. The musical score for the film is a rip-off of the overwrought music for the giant ape. In several sequences, Cabot seems to be re-enacting his other role on Skull Island in native garb.
His foil is Randolph Scott as the first true rifleman, Hawkeye. And, no one could be better in the role, as the actor shows early on his subtle humor in the part.
One of the truly odd changes is the reversal of Alice and Cora, the two daughters of the regiment. In the original story, Cora is dark-haired and tempestuous. She is called Alice here, and her blonde sister becomes Magua’s obsession. In Cooper’s book he appreciates her dark looks, not her blonde locks.
The story is further muddled by putting the key scenes with the last Mohican somewhere earlier in the plot—and ending with some kind of court-martial of Hawkeye. It doesn’t matter too much, as this turns out to be a pleasing version overall, hitting on the key moments of the story and casting truly fine actors.