Islands of Fire: Hawaii & Tiki

 DATELINE: Hawaiian Tourists from Outer Space

Can it already be the twelfth episode of the 14thseason? And, if we are near the end, who can blame David Childress from taking a vacation to Waikiki? He’s not the only tourists: it seems creatures from around the universe have been dropping in for thousands of years for a fun time with genetic engineering.

Ancient Aliens knows how to enjoy the atmosphere of paradise.

Also on this episode as his guide is Dr. Michael Salla who has written extensively on UFOs, and he admits that he had no idea about the ancient history on the volcanic islands when he came here to live.

There are wooden carved Tiki who resemble the Gray beings so often depicted as kidnappers and keepers of lost time. There is also a grand history of beautiful goddesses whose anger is not a trifle.

Now we know where all those Hollywood movie plots came from. Salla talks about the Akua who were lesser beings, like the Grays who did their bidding. It’s all pre-Hawaiian—as they prepared to make civilization and a human race.

Expert from the Joseph Campbell Archives, Dr. Jonathan Young is around again this week, always giving a mythological take to the proceedings. He describes a kind of Hawaiian leprechaun: small, magical beings.

It all goes again to show that these basic creation stories may be taking place in a different hemisphere and with a different race, but it’s all the same in the wash.

What Childress discovers is that Hawaii is a hotspot, a gateway, a portal, that may open up to time travel throughout the universe as well as the planet.

We also commend Robert Clotworthy, this time for pronouncing all Hawaiian names with adept style.

Trans-dimensional and Spiritual Worlds

DATELINE: Psychics as Remote Viewers

tracking orbs the new wayPara-People (new terms for Ghosts?)

Tracking orbs and their passengers (Pp) aka para-people?

Not one week after holding a séance to try to connect with spiritual beings in another dimension, we were shocked that Ancient Aliens TV series released a new episode that detailed the notion that light energy is “Trans-Dimensional”.

In fact, they tied together the notion that extra-terrestrials and space craft was a misnomer for trans-dimensional craft and beings. The séance we held to talk to orbs that appear in my home was, rather, according to CIA experiments, a form of “remote viewing.”

They identify psychics as “remote viewers” who are able to see into orb craft and noted that the Pp (a designation for Para-Person was an angelic creature). This roughly corresponded with the message from a spirit that informed me that orbs were transportation devices.

The headquarters of a private group called ECTI tried to discern orbs in nightsky as a travel group, also designated as a dimensional highway through which beings from another parallel universe, or multiverse, were reaching Earth.

They had transcended time, offered communication to receptive humans—and were actually beings who may or may not be ghosts (or what we call ghosts). It was an interesting combination of religious and paranormal experts paired with astrobiologists and UFOlogists.

The notion that throughout the Bible and other religious documents that there are “seven levels” of heaven indicated that these were dimensions in which angels and spirits (by human designation) were Pp, visitors from another realm, according to remote viewers (psychics hired by government investigators).

Citations were made to Einstein and quantum physics as proof that other realms exist and have been identified as spiritual by religious leaders for centuries and time infinitum.

Another peculiar discussion centered on DMT, a minor chemical in the body, often replicated as a psychedelic drug, that floods the pineal gland upon death, making people have post-life dreams, or feeling that they have been abducted by aliens who are “angelic beings” by another nomenclature.

It would seem that vocabulary and concepts have been in consort between science and metaphysics, but that these are not apples and oranges, but fruit of an trans-terrestrial existence.

It was an eye-opening and intriguing examination of visitors from another “world” crossing a barrier through a vortex to offer us guidance, miracles of information, and protection for our own souls that may be sent into another dimension when we pass through a mysterious energy barrier we call death.

 

Lost Tomb of Genghis Khan

DATELINE: Literate & Bloody Genghis?

Genghis Khan? Gold with Genghis?

Another superior French production marks the visit of three scientists on the search for the burial spot of the Mongolian leader known for his bloodthirsty strategies of wiping out populations.

The Lost Tomb of Genghis Khan is somewhere in the hinterlands of Mongolia but has been kept hidden by a cult of devout worshippers—even until today. Not one scintilla of evidence from the tomb has ever appeared since his burial in the mid-1200s.

It is thought he was buried with immense wealth in a desolate spot where his sons and grandsons also now are entombed, notably Kublai Khan.

No one is sure of the exact spot because the funeral cortege murdered anyone who saw it along route. They did not want anyone to know the great Khan was dead: it would undercut his divinity until he was safely buried.

So, even in death, his cut-throat, brutal tactics were in place.

Yet, Khan was also known as the first Mongol to codify laws and create a written language to solidify his people. Nothing like writing laws to ban murder while you cavalierly murder your way to top!

Genghis received more than bad press outside his homeland, but he was revered as someone special within.

By use of drones and mapping without touching the ground, three scientists risk their lives to go to the secret location. They travel through bogs and across rough terrain as tourist academics, never letting anyone know their real purpose.

Yet, when they return a year later, it is clear that the cult of worship has known of their appearance: the burial mountain has fresh totems in stone around the area. It makes for hair-raising research.

Rough editing seems to come out where commercial interruptions might happen, and there is one English-speaking American expert in Chicago offering his sage wisdom.

This is an intriguing hour of history.

Aliens & Your DNA

DATELINE:  Latest Ancient Aliens Horror!

Nick Redferne Nick Redferne

There’s a whole lot of blood-letting going on in the latest episode of Ancient Aliens on season 14 when it comes to your blood type and those space creatures messing with your genetic code..

Those pesky aliens appear to be planning to create a hybrid race.  It’s like a bad flight out of that old chestnut movie Mars Needs Women.  Except there won’t be any marriages, just some splicing of your DNA .

The latest episode hits on familiar themes of animal mutilation, interfering in the family tree, and alien abduction to take your precious bodily fluids.

We see the catalogue and history of images of animals with human heads .  According to the shows experts, this is the work of experimentation thousands of years ago by nefarious space creatures. For good measure, they show presents evidence of Russian experiments  in the 1950s when they put two heads on one dog.

Yes, they have the hideous photos to prove this contention.

All this goes to show that those little gray men are green with jealousy over human evolutionary jumps. We may still be in the middle of a great experiment.

Heaven help you if you are RH Negative As they seem to be targeting your blood type. The experts seem positive about this.  Perhaps 50% of all kidnapped victims by aliens have that blood type. And nearly all of those seem to be Basque descendants.

Nick Redferne and Linda Moulton Howe are ringing alarms, like hero Paul Revere. Only they are coming by air!

King Tut’s Fireball

DATELINE:  Dots Around History?

fireball

If you want to connect the dots of Schumacher-Levy comets hitting Jupiter, the first atomic bomb in New Mexico, King Tut’s jewels, the Great Siberian Explosion of 1908, and turning southwest at the pyramids, you ought to tune in to this documentary: The Fireball of King Tutenkhamun.           

 Three experts—one from Egypt, one from the United States, and one from Vienna—travel to the remotest part of Egypt looking for a debris field where the lime glass objects litter a thousand miles.

It seems the scarab on King Tut’s tomb was carved, not from a jewel, but from some strange extraterrestrial rock.

And, the area is strewn with these objects all over the ground for easy pickings.

The area was underwater until a few thousand years ago, which is hard to believe when you look at the vast and beautiful sand dunes without any life. These rocks may have been spread about from water flow!

The scientists also believe these gorgeous glass items came from a meteor, which is not good news. There is no crater, meaning the explosion of a meteor over Egypt hundreds of thousands of years ago was a devastating mid-air blow up.

These rubble piles can exterminate anything near them. If they are big enough, we don’t stand a chance. Could these scientists be wrong?

Well, the American walks around the desert barefoot, which loses credibility here. If you ever walked hot sand on a beach, you know the bad idea it is. It’s like not coming in out of the rain.

Yet, the documentary is compelling and fascinating, despite the foibles of the scientists. Watch the skies.   

   

Ghosts of West: End of Bonanza Trail

DATELINE: Dead Memories of the Old West

ghost towns See no ghosts?

An utterly intriguing documentary on ghosts out west turns out to be utterly poetic and features no stories about ghosts. Be forewarned, and be prepared for a beautifully made film about the mystique of the Old West.

The dead memories are, in fact, the ghosts alluded to by director E.S. Knightchilde. Can that be a real name? Written and produced, the mysterious KNightchilde is nearly as ghostly as the missing ghosts.

If you also have an idea that this film will be about the lost Cartwrights, Ben and Hoss and Little Joe, it’s about another bonanza, though it is not far from Virginia City in Nevada to Colorado and Montana.

The film avoids color completely, blending its old photos and newer landscapes into one timeless black and white and silver image. When you add the poetic words of Theodore Roosevelt as part of the narrative, you have an idea that this is not going to be your traditional western tale.

Photos are rare and unusual, nicely packaged around the mining towns that quickly were abandoned. These are the ghost towns of the film: most of the little villages boomed for five or ten years and were deserted overnight. They were never intended to be long-term municipal places.

The single men who caroused, worked, and died there, hoped to strike it rich and escape that world. It was a place where, we are told, lynchings were commonplace, murders were standard, and all these dead people surely left ghostly haunting. We do not hear about that. It is the towns that grip the director who finds them shredded by tourists and scavengers. They are flattened for their mountain views and condo life of rich homesteaders of the 21st century.

The little towns that are dead with their dilapidated buildings grow scarce and have been saved by a few civic minded souls who have turned them into historical, living museums that you may wander around.

Only two interviews of older experts are shown, and they are the only bits of film in color, as to be expected with a film rich in poetry and aesthetics.

If you don’t mind beauty instead of fright, this documentary is worth staying around to watch.

At the Drive-In: Past is Prologue

DATELINE: Take a Bite Night!

drive in

A strange little documentary that is utterly charming details one of the last and biggest drive-in screens in the United States. At the Drive-In notes the dream of those who loved the past and the summer nights that took the family out to the movies, sitting in their car.

Three men: Jeff, Matt, and Virgil, are the organizers. It started with Jeff, a former military man who was a projectionist, a job that no longer exists in the digital age. Older and out of touch with the modern world, Jeff leased a Pennsylvania drive-in that was slowly dying. Only a few hundred are left from the hey-day of the 1950s.

He literally ran in to Matt, a young Temple film studies graduate who thought it was abandoned and dropped by to find Jeff. Calling his friend Virgil, another Temple film student, they provided a social media approach to try to save the movie palace.

Jeff insisted that it show only 35mm movies, which made it a retro-movie theatre. Besides the lack of profit, the actual film stock of 35mm is not used by modern film-makers.

Retrospective films was the only alternative to the alternative drive-in. The entrepreneurs came up with gimmick nights: zombie movies, sci-f, bite night (Jaws and Jurassic Park). All the films had to be 35mm.

There were hangers-on who also loved old films and the ambiance, Jess—the popcorn girl, and snack bar aficionado from Keene, NH, who drives over six hours every weekend to work at what he loves: a place, not a job.

These are simple and real people who a definite love for old movies—and they build up the drive-in from two or three cars to over a hundred per night by the end of the 2016 season.

If you are old enough to recall the nostalgia of the giant screen outdoors, with field before a monster white screen, you likely recall seeing Shane, Spartacus, The Man Who Shot Liberty Valance, and dozens of other old movies in that magical moment of childhood.

At the Drive-In is a gentle marvel of movie-making about movie history. If you love movies, you read reviews and watch with religious fervor. Here is your novena of movie life.

 

 

Crossover from Another Dimension?

 DATELINE: Crop Circles

crop face  Crop Circle face?

A highly intelligent and careful documentary on Crop Circles and the intensity of experiences in the farmlands and countryside of England can be found in Crossover from Another Dimension.

It provides seminal information on the history of these events, which can be traced back hundreds of years, even near the Stonehenge area. Of course, back then there were no overhead views: except from local hilltops. So, if there were intricate designs, these were not recorded.

The modern phenomenon starts in the 1970s and seemed to spread quickly across the globe. Again, the earliest curios in wheatfields and hay fields were not sophisticated, but grew far more complex within a few years.

Many attribute this to hoaxers, yet the issue remains that many of these messages and aesthetic designs could not have been created in just a few hours with a handful of people overnight. There were fakes, of course, but not all fall into the category.

When you add in, the film’s study of electrical effects on skin and thyroids, you have something decidedly odd. There is enough medical worry that pregnant women are advised not to enter crop circles.

Mostly, owners of the land are frightened to pursue any legal action, though they are often irked that their livelihood has been damaged, often to the size of hundreds of feet/meters. Some hastily mow down the designs to prevent further intrusions.

The plants are gently bent; they break only when visitors trample on them. Films show lightning flashes and sudden appearances, or orbs that fly over an area, even in daylight.

The military sends out helicopters to chase away orbs but deny there is any rhyme or reason to their actions.

Whatever the visitors are who make these designs, often in mimesis of Mayan calendar art , you have a mystery that is far more than a cheesy fake news event.

One face made in the crops can best be seen by a high altitude. What on or off earth is going on?

Grey Wolf, Nazis on the Run

DATELINE: More Nazi Junk

Hitler on deathbed Re-enactor of Hitler on deathbed.

If you are not a Nazi expert, you likely never heard that one of the most popular words in German is “wolf.”  Hitler used it to describe everything from his U-boats to his various lairs and homes.

Grey Wolf is not a western; it’s a Nazi on the Pampas kind of tale.

Now it seems we have old ascot gentleman yellow journalist, Gerrard Williams producing, directing, writing, and putting his familiar undone ascot tie everywhere.

You may recall Gerrard as part of the Hunting Hitler series—like his fellow researcher James Holland, he has branched out into other Nazi realms. Here, he presents us with his theories in a docudrama that shows Hitler living in South America at Bariloche.

He espoused this theory on the Bob Barr series, and now he has given us a big-time documentary. We don’t see Gerrard with his undone silk ascot, dangling in the wind.

His version of Adolph Hitler is old and suffers badly from plastic surgery after the war to help hide his identity. Here too he has escaped with his wife Eva, and at least one daughter (others are rumored but never seen). He is not emaciated and aged from drug addictions to cocaine and crystal meth, as other expert documentaries have revealed.

Gerrard’s escaped Hitler makes strange mistakes of character: the vegetarian is eating squab and living well in Argentina. He seems to have overcome his drug addiction and sundry health problems. Now he mostly depressed and suffering melancholy. After all, he lost a Reich. It does not mesh with the man falling apart in Berlin.

Martin Bormann is the other big name here who seems to dominate his leader—ultimately making money over politics. A bunch of “witnesses” tell their connections: from Juan Peron to teenage house maids.

Hitler is either wearing a wig or has lost weight, grown a few inches, and seems less mercurial. Whether we are meant to accept these discrepancies as bad reports or accept them as proof that Hitler fooled some of the people, we cannot tell you.

We can report that as re-enacted documentaries are concerned, this one is compelling and well-done. If this is all hogwash, we wallowed in it. Gerrard Williams unleashed is a fairly wild film director, compared to his supporting role with Bob Barr in Hunting Hitler. Here Eva leaves Hitler and lives until the 21st century and well into her 90s.

Just another in the cottage industry of Hitler and Nazi history.

 

 

Wrapping Dead Fish with Unidentified?

DATELINE:  Episode 6, Finale

non expert Rock of UFO: Tom De Longe.

The final episode of the six-show season of Unidentifed is basically self-congratulatory.

You see, they believe their unremitting pressure on the government of the United States has resulted in a changed policy for pilots who report seeing little green men.

It is well overdue, yes, that young officers do not face ridicule for pointing out that something is happening out there, and no one seems to want to explain it or investigate it.

That is the series ultimate message: not that there is a coverup, but that there is a never saw it and never want to see it attitude.

They even interview Sen. Harry Reid, now retired, who gave the Pentagon money to record these black budget hidden items.

We keep wondering how a former rock star, like bewildered Tom De Longe wound up as a producer and billed as one of the government experts.

The theories are intriguing: either there is a secret race of super-beings hiding under the ocean, or there is an armada of light-travelers racing across the universe, or we are under the thumb of a group of spiritual beings.

In any respect, our goose seems cooked. The creatures behind the phenomena are far superior to us, and if they want to take over Earth, they can do so in a heartbeat.

Instead, we seem to provide some amusement. Shows like Unidentified are a bit different, more cynical, and increasingly desperate to wake up the sleeping human race. Will there be another season of this show? It’s unidentified for now.

Whether this is panic or paranoia, only the ultimate revelation will tell. Yes, Virginia, there may be a Santa Claus, but he is at the South Pole, not the North.

From Minot to Roswell to Guadalupe, to the halls of the Pentagon, we are following a trail of bread crumbs that take us only deeper into the forest.

 

 

 

Unidentified Episode 5, Going Nuclear!

DATELINE: Guadalupe & Minot

Elizondo Pentagon’s Man of La Mancha?

If you want to descend into a typical UFO show, you simply re-hash the stuff that has been examined by a dozen other shows, and you re-interview the now aging witnesses.

So it goes on Unidentified, for their fifth episode. It looks at the British Roswell, so misnamed because there was no crash and no alien bodies recovered.However, you had a Christmas time incident near an American base in England. Here over the course of several nights, strange lights were seen in the woods next to the base. Of course, the military base had one of the biggest stores of nuclear arms in 1980.

To interview the officer in charge, Col. Holt, and one of his security non-coms, Luis Elizondo covers the same old ground, but tells these men they don’t have to answer if there is some military secret involved. Talk about hamstrings.

We figure by the fifth episode we should spell the guy’s name correctly:  Luis Elizondo. He visits Guadalupe this time to find the homing device of both sharks and UFOs. Brilliant researcher Mauricio Hoyos shows up here to note that the sharks are only one element of the mysterious ocean off Mexico.

The most interesting aspect of the interview is that one military policeman suffered injuries as a result of the incident—and even disappeared for an unknown amount of time, scooped up the extra-terrestrials is the theory.

Of course, years later he tried to win some kind of medical disability—and the military claimed he was not in the service at the time, and his records were lost. Yikes. Sen. John McCain’s top aide went to bat for this unfortunate man and helped him win his medical coverage.

She said she never saw such opposition to recognizing what he sacrificed. It was part of a massive coverup of strange ships around nuclear facilities. It can be traced back to the mid-1940s and the Manhattan Project, years before Roswell.

They also spend time detailing the mystery around the Minot base near the Canadian border where nuclear weapons were armed and disarmed by unknown forces.

Once again, we hear that the government has lied to the public (a crime) and that we are at the mercy of forces that do not subjugate us for unknown reasons.

 

This stuff can be called alarming news. These guys are all wearing placards and sandwich boards that read: “The End is Near.”

 

 

 

 

 

 

Stonewall Uprising, 50 Years Later!

DATELINE: American Experience’s Documentary

stonewall Pioneer Gay Fighters!

Was it ten years ago that American Experience produced its historical film, Stonewall Uprising, on the fortieth anniversary of the so-called gay riots in that gay mecca of the 60s, Greenwich Village?

This year some said five or six million marched in those streets for twelve hours of parading. Forty years ago, three drag queens walking down the street would constitute a riot.

Ten years ago some witnesses were aging, both as cops and gay patrons of one of those blue-collar, sleazy, unpleasant gay bars of the times. Yes, folks, those places were dubious if you had more professionalism and dignity.

Yet, it was those people who first stood up to undue harassment. The first 45 minutes of the PBS documentary recounts the hideous conditions of the 1960s when homosexuals were considered one step short of psychopathia.

Perhaps the interviews with “experts” trying to terrorize children that gay predators lurked on every street corner were the worst dregs of the era, yet these were the cornerstones of civilization. It is infuriating to see these people treat gay men and women with such cruelty. On the plus side, most of those creeps are now dead.

They were about to be shocked by the three days of rioting against a half-dozen belligerent cops who started a movement. They were barricaded in the bar in abject terror when thousands attacked in return.

The gay bars were the purview of the Mafia who ran them to rake profits off the benighted gay men and women on the outskirts of society. They gave gays a place to congregate but would soon lose their upper-hand to political awareness.

This documentary shows how the anti-war and civil rights movement simply transferred to gay rights overnight. Fifty years later, it is intriguing to see the roots of this powerhouse of politics. Millions of young marchers were not even born when the uprising started.

Those who still decry it may be better advised to watch out and watch this little film.

 

Brooklyn Bridge Revisited

 DATELINE: Ken Burns Classic

great art Amazing!

In 1982 Ken Burns made a name for himself with this small, unassuming and brilliant documentary about the fifteen-year process to build the iconic, magical Brooklyn Bridge.

The film made his reputation and sent him on a career as a ground-breaking documentarian. What’s left nearly forty years later is the masterpiece of film on the masterpiece of engineering.

To take it in again after so many decades and find it as fresh and charming as when first seen is like the chance to walk across the East River like one of those who saw it like the first man to walk on the Moon.

John Roebling came from Germany as Hegel’s favorite student and a brilliant bridge maker. He designed the way to cross the river between New York and Brooklyn in three months. Then, fate intervened, giving him tetanus and killing him. It left the job then to his 30-year old son and Civil War hero Col. Washington Roebling.

David McCollough lends his narrative presence, but familiar voices dot the film: Julie Harris, Kurt Vonnegut, and others.

The dangerous caissons gave Roebling the bends, and he recovered but never fully. He managed to oversee the bridge construction from his third-floor bedroom with binoculars. His wife supervised and learned engineering to carry out on-site work.

Great Lewis Mumford lends his presence here to the cultural viewpoint with a poetic expression of his walk across the bridge as a young man. There are clips of Frank Sinatra in a movie in love with the Bridge, and even Bugs Bunny puts in an appearance.

The Bridge is monumental, inspirational, beautiful, and a cathedral of the national pride.

This is definitely American pie.

 

 

 

 

Secrets of the Dead? WWII Pep Pills!

DATELINE: Deadline Pep!

james holland Holland Invades Germany!

We never heard of this PBS marvel of history documentaries. It sounds like a bad show from the History Channel, something morbid about ghosts or Egyptian mummies.  It is entitled Secrets of the Dead!

Of course, it is none of the above. It is an intelligent look at historical events, uncovering little known information and formulating new theory.

For this episode from Season 17, it is called World War Speed. It is about the shocking notion of amphetamine usage during the second World War!

Who knew?

What’s worse, who suspected that the governments of England, United States, and Nazi Germany, condone and required drugs to stimulate the soldiers.

We’d like to think that only craven Hitler demanded his soldiers take amphetamines to remain awake for days: like good Aryan supermen.

However, Generals Montgomery and Einsenhower learned of the practice and decided it was a good strategy. You see, not only did it keep men awake but made them act out in deranged, but heroic ways. Men would volunteer for death missions and do utterly suicidal actions.

Hitler had experimented on victims of concentration camps to see how the pep pills effected people who were starving to death. However, even Hitler decided the side-effects were too grave to continue on his army. Not so with the American and British.

They gave pep pills to men in tanks that were deathtraps. It gave them courage beyond logic. We are horrified to think that this show, hosted by James Holland who most recently worked on the History Channel “Hunting Hitler”—and he has not lost his yellow journalism style here.

It is appalling to think that innocent young men had no idea that “pep pills” drugged them out of their minds.

We may tune into this series again. It is a shocker and provides teachable moments.

 

 

 

Great White Shark: Fear Uncaged!

DATELINE:  Mermaid & Great White Shark Playtime

Mauricio Hoyos Mauricio Hoyos!

 

The little shark documentary Beyond the Cage of Fear, narrated and directed by Steve Morris, may be a looney gem of entertainment.

At a time when Shark Week is all the rage, we were intrigued by the lack of cage.

The experts here are among that group that insist we have misunderstood the Great White Shark and confused his life and mind with the jaws of death.

It seems every shark documentary demands a scene of the shark exposing his rows of teeth and biting off more than he can chew.

So, a bunch of cowboys of the sea gather together to challenge their fears and show off their courage. Aging danger freak Mike Hoover leads the charge.

These are beautiful young men who have lung capacity that you might find unfathomable. They can hold their breath for many minutes under water and swim like a fish.

Among them are Hannah Frasier, Brandon Whaley and Mark Healy. They are among the bravest young fools you will ever encounter as they try to create a relationship of friendship with a great white shark.

Mauricio Hoyos looked familiar at Guadalupe Island, and we recognized him from a recent show on Unidentified, the UFOs. He is perhaps the foremost, young expert in great white sharks on the planet and hangs around their favorite haunt in Mexico. He knows these hotshots are crazy, but what can he do?

Perhaps the craziest of all is Hannah, who swims in a mermaid suit, so to speak, with tiny pasties to cover her tiny pasties. She too swims without snorkel or tank with Bruce the Shark.

Yeah, they named him Bruce as if that demeaned his danger. The point is that fear drives our lives: yeah, it’s called survival.

We love these beautiful daredevils and admire them, but we doubt they will live long lives.