Remembering Leonard Nimoy!

DATELINE:  Family-Based Eulogy!

  Nimoy with Quinto.

A few years after the original and amazing Mr. Spock passed away, his daughter Julie has come up with a biographical documentary about Leonard Nimoy.

Such loving family portraits are often good for the soul and avoid messy scandals and unpleasant issues. There is no mention here of Nimoy’s period of hating Mr. Spock and trying to avoid the character. Instead, we see how he comes to embrace the icon and play him even in the Zachary Quinto remakes! Nimoy steals the movie.

In such a tale of life, we were surprised at what we had forgotten: Leonard was a Bostonian who grew up near old Scollay Square, though he calls it the West End and says he was a street kid in a tough neighborhood. Well, yeah, it was the red light district of Boston for years! He never reveals that!

He went to Pasadena Playhouse at 18 and stayed in California forever after that. He did return to Boston to do a few plays in later years (Fiddler on the Roof, etc.).

The early years of struggle with dozens of guest roles on TV and working as a cab driver (where he met fellow Bostonian JFK once as a passenger), are quite fascinating.

His daughter has a criticism of her father: his two-pack a day cigarette smoking that gave him COPD. It ultimately was a death knell, though he lived until 83 years with the condition.

Fans will be delighted with how this creative and versatile artist lived and worked: he was poet, director, actor, and above all else at the end, a highly emotional family man. He joked how his ancestors were aliens to America and came to this country, but he was born in America and went to Hollywood and became an alien.

Nice little film.

 

 

 

 

 

Oh, My Gog! Not to Mention Magog!

DATELINE: Forgotten Classic? 

 Infamous Gog and Herbert Marshall.

Back in the early 1950s, one of the way-ahead-of-its-time movies was something called Gog (out of your Bible as a nasty evil force). The movie turned Gog into a “brain machine,” because no one dared to call it a computer back then.

Gog and Magog are robots with independent thinking skills. The computers must deal with out of control nuclear power where no man can go. Without much overt horror, this thinking man’s vision of the future went down the tubes with nary a fly-by.

More than a decade before Kubrick unleashed the HAL computer as villain on A Space Odyssey,Ivan Tors of Flipper fame turned his vision loose in a desert military base, top secret, a few years before the government created Area 51.

No wonder this movie in 3-D was a bomb. No one in the days of flying saucer mania believed in this stuff really would take over TV in the 21stcentury. The movie plot was years ahead of crypto-zoology and Artificial Intelligence with evil intent.

The movie starred Richard Egan, or is that Richard Carlson? You know any good sci-fi/horror effort in those years had to star one of them.

And, as the distinguished scientist, you had Herbert Marshall heading down the road that Vincent Price would later own.  This is a few years before Marshall had a big hit with an original shocker, The Fly. Marshall is also long-past the razor’s edge here.

Apart from the high-tech predictions, you have a great many silly low-tech, insipid notions, like a windshield wiper on the glass of a lab window—and steam radiation heat out of pipes.

Gog was a big disappointment to the drive-in audiences of the age, and its lost color and 3-D view on TV never helped it achieve any kind of post-release respect.

 

 

Off on the Wrong Bigfoot?

 DATELINE: Not Again?

Topless Bigfoot.

You cannot expect originality all the time, so with its recent reincarnation, Monsterquestreturns to the thrilling days of Bigfoot. Yes, we are back to Sasquatch, Yeti, and all things worn out by fakes, re-enactments, and grainy old photos. The show takes on Bigfoot, again, for all you déjà vuenthusiasts.

This may be a cannibalized show, taking from other recent Bigfoot studies. There are some newer bits of information, like there have been 50,000 Bigfoot, Yeti, etc.,sightings.

The Native American folklore begins to resemble modern American folklore:  You should never look Bigfoot directly into the eyes because it sets him into a rage. We have heard recently the same said about Ellen DeGeneris.

They also recommend that you do not whistle at night in the woods. This is not quite the same as a dog whistle from President Trump, but it can get you into trouble.

The FBI has also broken its rule and taken on testing some evidence considered Bigfoot DNA. They have tax-payer money to burn, and they report in 2019 that the DNA is apparently belonging to deer. Oh, dear.

The same can be said about hairs that test as elk or deer, and recorded noises are thought to be coyote or elk.  Our Monsterquest  tteam of experts finds nothing, but as usual, they are undaunted. Never inter the remains of a cryptozoologist.

We found most intriguing the notion that Bigfoot, like your gray aliens, is being accused of abducting people. Mostly, they abduct men, not women. We presume this is because they run into more men in the woods, unless there is another element we are missing.

A few scientists conclude he once existed, but is now extinct.

 

Speaking of which, there are no reports of missing time associated with Bigfoot, unless you count the 1000 years of cave painting and rock carvings.

 

All in all, we were left where we were at the start of the hour-long show.

 

 

 

 

 

 

 

 

UFO Cover Up on Unidentified

DATELINE: Mellon as Head of Ops

We’re not sure who’s covering up what and if you think you will have clarification on this series, Unidentified, which delineates military investigators and UFO cases, you will find yourself going down (or up) another rabbit hole.

Our intrepid hosts, insiders at the Pentagon, who are tied into the Navy release of actual pilot video of mystery craft in the sky, will not exactly give you the answer you want.

This series may have just realized it is poisoning its own audience with listening to UFO drivel (or alternative theories) it never believed to begin with: the experts cited continued to say that all UFO stuff is disinformation put out over their secret programs, including drones that now shoot out of submarines and return to their source under water. It explains submerged craft or USOs.

The military apologists also contend that the radar is now filled with technical ghosts, phantoms that appear on screen but are not real to hide the real aircraft.

And the AF is playing mind games with the US Navy, taking their information after eating them up with experimental encounters with mystery UFO-but really US top secret aircraft.

If the technology is far superior to anything belonging to the US government (as host Skip to My Lu Elizondo contends), we are in big trouble. The is now on the defensive or is that offensive, attacking the government who feeds it for hiding more videos.  Information at the Pentagon is now routinely confiscated by Air Force honchos, riding roughshod over other military branches.

So the series is fighting back to retain its unhappy UFO audience who are fervent believers. The hosts now claim that is is impossible that Area 51 is a base of fake UFO operations and saucers that are of this Earth, not so galaxy far far away.

We’ll see if this response is too little too late to save the series from becoming a coverup in itself.

The Mad Mad Mandela Effect

DATELINE: Wild Theoretical Movie!

  Robin Lord Taylor.

David Guy Levy has directed, written, and presented us with a highly clever paranormal mystery movie. It’s able to straddle the world of presenting us with dubious Internet info interspersed with a fictional movie. It is highly entertaining and thought provoking.

A young father loses his daughter to a drowning at the beach—and goes into a philosophical crisis that upends his world. Indeed, he begins to think his world is simulated reality in an attempt to reach the spirit of his dead child.

It threatens his sanity and worries all those around him, including his gay best friend (Robin Lord Taylor, once again in a creepy performance).

The Mandela Effect is a theory that mass memory errors are not misremembered events, but seepage from a parallel universe (like Jif Peanut Butter, or it is Jiffy Peanut Butter—or is Mr. Moneybags called something else without a monocle here and now). We all have these strange false memories that cannot be explained.

Some of us are clairvoyant and may think we are part of the interdimensional brigade. You may not be seeing ghosts, merely interlopers from a parallel universe.

Particle simulations being what they are in computers, the hero Brendan (Charlie Hofheimer) is increasingly drawn into a parallel universe where everything is a Looney Toon. He meets the designer of a quantum computer at a local university, and it resembles the Monolith out of Kubrick’s Space Odyssey, and it may be exerting forces on events.

As a computer programmer, Brendan tries to overload the godly computer of quantum physics to blast through to a parallel universe. Considering its low budget, this is a a clever, intriguing, and ultimately thought-provoking sci-fi paranormal entry coming in at under 90 minutes of dangerous ideas.

 

 

 

Mysterious Works of Stanley Kubrick

DATELINE: Faked Moon Landing?

Young Kubrick.

This is the ultimate close reading of Kubrick’s oeuvre.Alas, the narrator is a nasally turn-off, whatever interesting and looney stuff he feeds us.

Yes, this one-hour biographical conspiracy movie seems to hint that Kubrick was assassinated for being difficult, for revealing too many secrets, and for being moral. Taken one at a time: Kubrick was a perfectionist who was used to fake the Moon landing(s), all of them.

He knew too many buried skeletons in Hollywood about pedophilia, and he was an enemy of freemasons, billionaires, and world controllers in government.

Yes, that will get you killed. Just ask Jeffrey Epstein.

There is an interesting opening sequence about young Kubrick and his development into a movie director. His singular idiosyncratic, autocratic self-controlling career began after Spartacus (which the documentary says he hated). It’s a great film, nonetheless.

But this doc thinks his greatest film is Eyes Wide Shut(which we dismissed as overwrought and overindulgent).

The narrator goes on the reveal all the people he offended with each subsequent film. He had to do 2001: A Space Odysseyas a cover for his work making the Moon landing footage that was shown to the public. Those pesky astronauts were laden with guilt and hypnotized, according to this film.

The Shining (misspelled in the film documentary) is rife with references to Apollo 11 and to child molestation in case you missed it. And, the examples are startling to behold.

His final film, Eyes Wide Shut,took 18 months to film, and when important people saw the finished cut, Kubrick was alleged to have been assassinated by lethal drugs to imitate a heart attack in 1999.

Then, his final cut was altered so as to not offend billionaire government powerful figures.

The documentary is as frenzied as those monkey-men, faced with a giant monolith in 2001: A Space Odyssey.

 

 

 

 

Westworld 3, the Lost Season, Bites the Dust

 DATELINE:  Cliff-hung!

As Westworld wound down on its third season, it was clear that Jonathan Nolan was meandering without any sense of direction to his creation. The series had nowhere to go—and went there with empty shoot-out and fight scenes.

A coda after credits turns out to be the most interesting part of the show, which some could have missed: we see William confront himself as Man in Black, and we see decommissioned Bernard, covered in dust, likely years later. So, that is the teaser for season 4.

Two, not one, major karate fights between Maeve and Dolores (Miss Delos) seemed to end with their deaths: except no one in this series is ever truly dead.

The fights seem now to recur with all the regularity of Ali and Frazier.

William also seems to be trying to reform himself, sort of, to save humanity, in the same destructive way that Dolores wants to save automatons. It’s pointless as the world outside Westworld devolves into anarchy.

Some odd details seem to indicate that everyone has forgotten where they came from:  Lawrence, (Clifton Collins, jr.), shows up in haggard form to save his “friend” Bernard. But. His friend for all season two was William (Ed Harris) who runs off without seeing him. This may be a loose end for season 4, if we stick around.

As for a litany of loose ends, you are left with tatters of William, Bernard, Dolores, and whoever Aaron Paul is supposed to be:  presumably the new star of the series.

With everyone professing to save humanity, one wonders why the simple acts of kindness Dolores recalls are meant to save us all.

Whatever the series will become next season, or in its subsequent years, will not be the Westworld  of the movies, or of the first two seasons. This third season has truly been a lost season, meandering blindly for some purpose.

Dolores’s war on humanity comes to a fitting non-conclusion at the end of season three, especially since there are now three more seasons on the HBO docket. We can sleep at night knowing these talented actors, writers, and directors, will be gainfully employed for a few more years.

 

 

 

 

 

  Westworld 3.6, Serac, See Rac Run

DATELINE: Breaking with Pinky 

 Williams 1 & 2

We doubt the series can recover its equilibrium now that it is on a path where everyone is a host and no one is a guest. Robots, Robots, everywhere, and not a human to be entertained.

Jonathan Nolan’s Futureworld took a couple of steps deeper into the abyss of bleakness, and it ain’t pretty, no matter how clean the future streets are looking. That in itself is a tip-off that what’s real may not be what you see.

This episode is called “Decoherence,” which apparently indicates the series is now a step away from incoherence.

If there is redemption in this episode, it can be found in the group therapy session of William (Ed Harris). Now committed to a mental institution, his hallucinogenic therapy includes a hilarious session with all aspects of his past self: boy, young man, man in black, business tycoon, and mental patient.

This allows Jimmi Simpson to return for one bravura recap as his character of William. It leads to cynical villain William realizing he is indeed the hero of his own life.

As far as Ed Harris is concerned, he is not happy with the role and its turn of events. He signed on to play the Man in Black—and he may bail on the series if it continues. He was so unhappy that he broke Jimmi Simpson’s finger in their big fight scene.

The other major development that may turn into an interesting plot maneuver is the alteration of Tessa Thompson’s Charlotte who had begun to identify with the human side more than ever. Once crossed, and crossing that threshold, she may become a woman scorned: truly more dangerous than Maeve.

What may be converging here is a means to save Westworld from sure destruction on several sides. What it ultimately changes into could set us up for another season, or a neat ending to the proceedings.

Genre, the Drug-Addled Westworld 3.5

DATELINE: Our Least Favorite Episode in 3 Seasons! 

 Aaron Paul & Evan Rachel Wood.

The show Westworld  is now literally out of its world, out of its mind, and officially should have a new title. Going back decades, we loved the original Yul Brynner movie and even the not so good Peter Fonda sequel. We loved Jonathan Nolan’s first two clever and sharp seasons. We loved his Person of Interest.

Something has gone awry. This week’s episode was chaotic junk, with high speed car chases and drug-addled characters killing each other. We were not impressed to find Mr. Nolan slumming his Westworld to a dismal futuristic, misanthropic world where AI will eliminate real humans.

Apart from all else, it was so distasteful. And, the cast was so limited that we missed so many of the great characters who showed up for cameos a few weeks ago. Perhaps Nolan plans to have a grand finale in which all appear like in those Faulkner novels where all his favorite characters show up for a final bow.

It does seem to be the end of this series. Maybe Nolan and his partner Lisa Joy have run out of interest and ideas. We hope another project will return to the roots that Jim Cavaziel gave us in Person of Interest. There is no person of interest in this new season.

This new leading man, Aaron Paul, is an intense actor playing a rather dull character. No, there is no love interest with Dolores who is all business, and her job is chair of Murder, Inc.

There are three more episodes, came one reminder. Whether we shall be able to stomach any or all of them only the weeks ahead shall prove. We are most disappointed, having anticipated this show for a year.

 

Westworld’s Version/Vision of Hell

DATELINE: Robby the Robot Need Not Apply!

 Ed Harris Looks for a Cut Throat.

Number Four of Westworld III  is a lulu. Perhaps the highpoint of the night is a fight between Evan Rachel Wood and muscleman Luke Hemsworth. It seems in our new age, a good fight among equals includes some give and take between the sexes as a little later Thandie Newton enjoys a good roust.

As for the series, in its mercurial way, remains cryptic beyond even its usual standards. In the fourth episode, we finally see the ravaged leftovers of Ed Harris, or William, who had been obsessed with Dolores from the start. Whether he is done for, or will come back, only four episodes left will tell.

Now, he is being played by other parties, haunted by the ghost of his dead daughter (or is she another robotic version sent to drive him all the way to the mental hospital?)

It seems a little early for everyone to receive his come-uppance, and whatever secrets Dolores is harboring, using all who enter her realm, there are several spearhead opponents—Maeve, Bernard, and possibly William. You can never count anyone out in this show where apparent death to robots means you’ll be back next week.

We are now so far afield from the original setting that it is hard to know where this vapid, wealthy future shall lead. We are not sure the series has anywhere else to go as we rush head-long into a robot apocalypse.

Jonathan Nolan has surprised us before, but he may well have overreached his play with this season of his intellectual treatise on the meaning of life and AI.

 

Westworld 3.3, Even Robots Get the Blues!

DATELINE: AI Goes Bananas

One of the Hemsworths.

 We are back to mad robotic Dolores and her plan to take over the human world. She has found an ally in human Caleb, who apparently is taking the place of James Marsden who died last season (if robots die forever).

This week is cryptically called “Absence of Field.”  Its absence will not make you nostalgic for previous seasons.

In the Tessa Thompson subplot, we have the robotic charade version of Charlotte Hale now running Delos Corporation. Alas, she is informed that some version of a Howard Hughes billionaire, the richest in the world, is buying up their stock.

This is the employer of robotic Maeve who is being groomed to do battle with Dolores to put the automatons back in Westworld where they belong. This week Thandie Newton and Jeffrey Wright are off on their subplots, likely to return next time.

We miss Luke Hemsworth who has bulked up over the past year and now is a little muscle robot.

If you are lost and confused, this is part of the chess match Jonathan Nolan plays with Lisa Joy to show you that dumb viewers are watching mindless sit-coms on another network.

In the meantime, robot Charlotte is having stress pangs—perhaps controlled the spirit of her dead human counterpart. Charlotte’s six-year-old son senses this is nothis mother.

This child-parent motivation has now gripped several characters: notably Maeve and now Charlotte, as impostor robots seem to feel actual biological ties. And, thrown in for good measure, we also have a mother-son relationship with the real person of Caleb who seems to have an inordinate amount of machine in him.

Whether these turn out to be red herrings, or plot keys, you know only that Dolores holds the key everyone seeks.

 

 

 

Westworld 3.2 Shows Nazi-world

DATELINE: Episode Two of WWIII 

You can’t keep track of the androids without a scorecard. They are everywhere, and we might even call them Replicants, but that’s another movie called Blade Runner. Same idea, different off-world rebels. This show is called Westworld III, and you may be lost in the escape from robotic Centerville. They don’t want to call it world of Nazi, so it’s Warworld. No, we didn’t see a Trump lookalike cavorting there, either as a host or a guest.

We’ve been a bit confused (who isn’t?) when normal humans are taking on dangerous roles as bodyguards, etc. Why are the robots not here in spirit?

Since everyone seems to have a duplicate robot version, powered by a dirty powerball, everyone should theoretically be back for another season. However, the man behind the curtain is the wizard of Westworld, named Jonathan Nolan, and he decides if you go over the rainbow, or are simply deleted.

So, don’t grow despondent if your previous favorite character is nowhere to be seen—like Thandie Newton. The actress now shows up as an incongruous black woman in Naziworld. Who knew?

All journeys end up back at Westworld—where we find Maeve, Bernard, and a couple of humans. One surprise is that one of our favorite humans turns out to be another robotic programmed automaton. Who knew?

Somebody knows that Maeve is an agent of rebellion because they are trying to entice her with her former human friends to tell them what Dolores is up to. Failing that, she seems to be the robot recruit of the month to lead opposing forces to stop Evan Rachel Wood’s mad automaton attack on human existence.

In case you are wondering why the robots are looking older, we figured out that most of the cast is in their 40s, and unique robots, they cannot hold back time. However, stars like Thandie look marvelous for the given age.

So this is the set up for the shortened season three.

 

 

 

 

 

 

 

Radius, or Radiation?

DATELINE: Instant Classic!

 Klattenhoff acts puzzled!

An independent film made in Manitoba has the distinction of being a fascinating fantasy-sci fi-thriller of most unusual quality.

Radiustakes its simple plot and never exceeds its tight grasp on the situation.

Supernatural? Science fiction? Fantasy? This film defies categories and transcends all of them.

Radiusmanages to hold our curiosity and shock us with a lack of monsters, UFOs, or other junk you’d expect. Special effects are minimal, but have a fascinating power that reminded us of those 1950s sci-fi thrillers.

Two people with amnesia are hopelessly tied to each other. If they go outside of a parameter of fifty feet, one emits a deathly energy that kills any living creature.

Diego Klattenhoff and Charlotte Sullivan are the essential two-actor cast. All others are doomed to some mysterious death ray almost immediately. Klattenhoff also served as producer on the picture.

Trying to figure out what’s going on never violates your intelligence quotient. It grows steadily—and the revelations are more and more disturbing. If there is a paranormal, inter-dimensional connection, it has provided justice and redemption for the main character. It is morality coming from some esoteric alien force.

We cannot stress enough how surprised we were at the high-quality production, direction, acting. Some viewers were apparently bothered that the film did not devolve into the usual clichés.

We enjoy such discoveries and love to share them. Take in this film.

 

Hynek Sticks Out His Neck

 DATELINE: Men in Black Revealed?

 Mystery man in black.

Not one week ago, or less, we saw Ancient Aliens episode on Men in Black that featured the son of Dr. J. Allen Hyneck telling audiences that his father believed that the men in black existed—but he himself never had any encounters with them.

This week on Project Blue Book, we have our faith in accuracy tested again. Before you can say opening credits, a Man in Black (Ian Tracey) kidnaps Dr. Hynek.

History Channel channels Ancient Aliens and Project Blue Book together on Maury Island. What’s next? Men in black on Oak Island?

They must have erased his memory bank, which grows more bankrupt with each week of season two. One gives Hynek a major concussion, out cold for a prolonged time, and offers him aspirin.

It now falls to pipsqueak partner Captain Quinn (Mike Malarkey)  to locate his missing associate. He must re-team with the black CIA operative Dan Banks (Jerod Haynes). What he reveals is that the Men in Black are, in fact, rogue remote viewers who left the agency after what they saw through precognition.

Dr. Hynek’s wife Mimy (Laura Mennell) ( is also an adept spy and continues to insinuate herself into investigations.

Unfortunately, these clairvoyants cannot see too much, and are easily tracked down. If you can find a needle in a haystack without any paranormal skills, Captain Quinn can find Dr. Hynek in the middle of the woods without a compass.

So, it appears that CIA is the true enemy of Blue Book, not space aliens. We have no answer about the missing time in the lives of Quinn and Hynek some episodes ago.

 

 

Food of the Gods: Yum-Yum, Eatum Up!

DATELINE:  Blood to Let?

  Platter splatter?

Whether you consider the menu of godly appetizers to be forbidden fruit, Ancient Aliens offered us a repast of great delectable items.

Yes, our favorite show about those ancient space creatures who fiddled with our DNA has turned our stomachs upside down with the apple of knowledge.

Forget Jennie Craig, dieters. “The Food of the Gods” is what you need on your shopping list.

Forget salt. Aliens apparently have an aversion to salt, and when one contactee provided the CIA and Project Blue Book with a cracker a generous alien provided, it was salt-free.

Can you make manna on your Cuisinart? Or do the crackers of aliens fall from heaven? When the episode begins to suggest that blood-drained animal mutilation is tied into immortality, you begin to see ET as a new variation on Dracula. Swallow hard, Adam’s apple.

Yes, ambrosia is some kind of fluid or food that helps you travel for centuries on space craft. Eating it on earth helped Adam, Moses, and Noah, live to be about 1000 years old. So, Ancient Aliens is hot on the trail of the magic elixir.

Yes, aliens farm blood out of Homo sapiens. Yes, we have no bananas.

It isn’t long to jump to trans-substantiation or making the blood of Jesus out of wine. It would appear that ancient aliens need this stuff—and it is what will sustain humankind when they venture out into space

The problem with the series is that it often forgets its previous findings. Yes, there is a supply of blood to be let by abducted people, but the aliens originally came to Earth for its gold deposits.

There is your ambrosia, manna, wine of gods, soma, and all the rest on Gilligan’s Planet.