Jack the Tailor of Beverly Hills

 DATELINE: You Are What You Call Yourself!

 Clothes Make the Man!

Upon first coming across a one-hour documentary on a fashion store in Beverly Hills, we thought it was one of those vanity documentaries, produced by its subject. Jack Taylor was a 90-year old high fashion artist from old Hollywood days.

The film is a tad old, with Taylor gone in 2016 and his main supporter, Mike Douglas, a decade before that. Yet, we are always eager to catch up on our past misgivings.

Jack Taylor hardly needs publicity, and business is dying out as his A-list celebrity patrons pass away. He would soon follow and take an era with him. He was the man who tailored all those magnificent suits worn by Cary Grant from the 1930s till his death. Grant would order a dozen suits at time.

We wondered if there were any celebs who’d go on camera for a commercial appearance—and there were plenty of men: Mike Douglas, Hal Linden, swore by Jack Taylor. Monty Hall wore a different outfit every show on Let’s Make a Deal, all created by Taylor.

He made clothes for Elvis, Sinatra, Charles Bronson, and so many men. He was not easy either. He would tell them not to eat or put on weight. His suits were meant to show them off at their best shape. His most obstreperous client was Jackie Gleason who needed 3 sizes, because of his weight changes over weeks and months.

Taylor would tell them to eat only half the plate at the restaurant. He did not do alterations, or sew the suits. He has a 60-year tailor for that: he has worked for Taylor for sixty years. He’s in his 80s. But both lament there are no tailors any longer.

We are looking at the extinction of men’s fashion. There was no endangered species list: men’s suits and ties were dinosaurs when the political landscape changed its pants.

Clothes for men nowadays are off the rack at best, and China imports at worst. Jack Taylor knows his world of well-dressed men is fading away. He thinks the 1940s were the last gasp, but the war killed it at that point. And, the 1970s turned into a fashion death knell for men’s clothing with jeans and t-shirts as the extent of wardrobe.

We never expected to be fascinated at expensive clothes, being a recluse who never makes public appearances. However, celebrities still know a good suit is essential, but they are going to have a hard time finding anyone to replace jack Taylor.

Fatima Revisited

DATELINE: New Movie Story

 Witnesses.

With another miracle at Fatima movie now released with a devout perspective for the religious followers, there seems to be a danger of facing a buzzsaw when you take on the topic with any skepticism. Fatima again tells the story of three children who experienced some kind of paranormal visitation from a beautiful lady in the sky during World War I.

We never flinch when hacksaws come at us. A few years ago, another documentary, was produced by the multi-million-dollar organization behind the Fatima story for 50 years, came up with a semi-doc something called A Message of Hope.  It wants to be an antidote to the recent Ancient Alien view that Fatima was another UFO encounter.

The original story of three children seeing the Virgin Mary in Portugal in the middle of World War I has been never fully told. Most people think a big crowd one day saw something in the sky. It was much, much more. The sightings were regular.

Actually, the children had visions for over a year: including a bunch with a male angel who gave them a bloody host literally to eat and drink the blood of Christ.

You might dismiss this as peasant-level superstition in farm country of a backward nation. Yet, there is something absolutely weird about a beautiful woman telling coming down from the sky and telling these kids that two of them will die soon and that they will face great suffering. Today we might think this is a kind of child abuse. It is creepy at the least.

It does not come across as kindly. And, then the political forces put them into jail (not Trump cages) and threatened to boil them in oil if they did not recant. They remained firm in their testimony.

One secret the lady told them and kept by the Vatican in espionage hiding for decades was that a pope would be assassinated. Well, it did almost happen decades later to John Paul II.

Some years later, the entire experience was hijacked by the Joe McCarthy anti-communist groups who created a Blue Army to counter the Red Army. The group led by an American of dubious character made millions off the miracle. They have their own 747 jet and huge monuments. The faithful gave them plenty of loot. Their PR is among the slickest in the world.

If anything, the anti-commie segment moved the HQ to the US instead of backward Portugal. This documentary is filled with piety and well-meaning religious people who argue that it is true and a miracle. It’s easier to believe it was space aliens.

The film plays to the believers of religion, though you may have a hard time telling them apart from a visit with Erich van Daniken. The new movie corroborates the Blue Army version. We expect to be under attack for questioning this topic.

UFOs: The Secret History

DATELINE: (well, not so secret)

Be Still, My Earth.

Though it is billed as having new information, it really has only a new and amusing perspective.  The film is irreverent in many ways, through use of movie clips and the laconic narration of its clever director.

We are happy to report that, unlike many cheapskate directors who save money by doing their own voice-overs, this director is actually a fairly good voice and speaks with intelligence and drama. David Cherniak directs with aplomb. He also led the film for the recent look at Bob Lazar in late middle age, revisited. Don’t hold it against him.

UFOs: The Secret History  is indeed a history, but with few secrets. It does have a plethora of marvelous clips from classic sci-fi films as part of its narrative.

His hilarious insights that are new include the notorious “pelican” theory that Kenneth Arnold in 1947 actually saw pelicans flying in formation at 1700 mph and called them saucers.

Yes, a scientist tells us this with a straight face.

When it comes to more serious matters, director David Cherniak still chooses photos that are unusual, not ones you’d see on Ancient Aliens. He does give us a a fresh take on Orson Welles, Roswell, Project Grudge, and the usual litany of UFO incidents that brought us to a wholesale government coverup.

He also plays on the notion that seeing UFOs was psychological, part of the J. Allen Hynek approach, which was code for saying the viewer of such events had a psychological problem. Even Hynek was turned into a buffoon over “swamp gas.” Well, yes, being called a nutcase is distressing.

One turning point is hardly secret: abductions of Betty and Barney Hill of New Hampshire, the template for lost time and sexual abuse by space creatures.  There is no secret about the Travis Walton case, but it grabbed worldwide attention, as did the appearance of elderly Jesse Marcel who was at the Roswell crash in 1947, blowing the whistle.

If there is a secret here, that may be the hybridization plan of aliens to take over the Earth in subtle fashion by genetics. Oh, that secret…

 

 

 

 

 

Unidentified Beats a Hasty Retreat from UFOs

DATELINE: Drones!

Unidentifiedis coming down the pike for a second season finale at two hours. It seems History Channel cannot end this series fast enough. The final two episodes are lumped together in one extravaganza.

Whether this series returns for a third year is dubious, as it has run the string of material and seems highly repetitive. In its swan song of season two, the experts tackle the recent (?) surge in UFO sightings.

We suspect that, if a UFO lands at the White House and abducts Trump not to return, this show may receive a reprieve.

The opening part of the finale mentions that there have been twice as many sightings of UFOs in 2019 than the year previous. This is attributed to the dominance of smartphone cameras being handy to document any and all odd scenes.

Of course, as the show points out, phone cameras are not designed for long distance pictures and their reliability is poor. Yet, red-orange orbs are seen regularly as blobs. Most of the newer UFO appearances are in places like North Carolina where a Navy training area is off-shore.

The theory is thrown out there that these could be drones: even Russian spy drones. These could be tests done by the United States, though the hosts want to discount this.

Other experts note that 60 satellites have been launched within the past few years, and they create a new conga line of strange lights in the sky at night.

These are not happy notions to those who have fought the Blue Book coverup put forth by the government for years.

Yet, Elizondo goes to New Jersey to find a runway of red-orange drones that fly in formation. These 130 drones create optical illusions of solid flying discs, tick-tacs, triangles or saucers,  Take that, believers.

Curses: Not Foiled on UnXplained

DATELINE: Another Gem in Series

 Cursed “Crying Boy” Painting!

A third installment of the Shatner series UnXplained came to us with a plethora of examples about cursed people, places, and things. Yes, they are nouns of a bad sort.

Shatner will never be upstaged by such shenanigans, and he is constantly looking over his shoulder as he hosts this marvelous series with another fascinating episode.

The smorgasbord of tales for the week include some stories well-known, and a few surprises.

First, there is Round Lake in New Jersey, a man-made reservoir that inundated a town back in the 1960s. It seems some of the late residents may be causing dozens of men to drown in the cold waters. A few intrepid realists suggest it is careless fishing or boating that causes the deaths. Shatner has an arched eyebrow, which is telling.

The most famous story of the night concerns the Hope Diamond, a cursed Indian jewel that glows red, not blue, when ultra-violet light is put on it. Blood red? No wonder Evalyn McLean kept it for nearly 40 years, despite family members dropping like flies.

Our favorite unknown tale concerned “The Crying Boy,” one of dozens of paintings by some Oscar Wildean Italian artist. These oils are covered in flame retardant for good reason: the houses in which they are hung in England tend to burn to the ground. Pass on the picture next time you see one in the flea market.

Shatner seems to snicker at the numerical curses of 13 and 27. It seems the Friday 13, 1307, could be the cause of the cursed day: Jacques DeMolay, Catholic hero or heretic, was burned at the stake and cursed his killers and the day of the week. It has lingered 700 years.

As far as 27 is concerned, it’s a club of dead rock stars. There is a litany of musical icons who died at age 27, including Jim Morrison, Kurt Cobain, Janis Joplin, et al. You can forgive old Shatner, at 90, not taking this one too seriously.

It all leads to his standard hilarious closing as he discusses charms to ward off curses at the end. It’s another must-see installment of the show.

 

Unidentified: UFO Investigations

DATELINE: Second Season UFO Investigations

 Elizondo.

You could surely knock us over with the return of this series. Now in a second season, Unidentified: Inside America’s UFO Investigations was certainly one of the interesting miniseries History provided last year. It featured two prominent former government officials: Chris Mellen, a defense minister and Luis Elizondo who ran the Pentagon UFO program that released actual UFO footage to great excitement.

We did not expect to see it again.

Luis Elizondo was in charge of the notorious AATIP program at the Pentagon.

The first show of the new season entails “UFOs in Combat,” though it only tackles living witnesses of the past fifty years, we know that orbs in World War II were inexplicable and thought to be Nazi weapons.

Now both men who are key hosts of this series have left the government to seek fame and fortune as informants of the UFO phenomenon. They are likely the most interesting, if not trustworthy, of experts these kind of shows present.

Elizondo interviews decorated American soldiers from wars of the past 50 years, going back to 1966 Vietnam. Here, in case after case, they witness these “tick-tacks” an allusion to the shape of the object. They are elongated or circular like an orb.

One expert calls them part of the 21stcentury technology or “angels” that are decoy devices around aircraft to deflect missile attacks. But this technology does not extend back 20 years, where it has been witnessed.

Another expert essentially questioned the mental stress of these patriots and claimed they were suffering from lack of sleep, fear, and other factors. The show’s hosts reject this out of hand.

The series seems to be covering the same ground as in the first season, but it is cracking open new testimony and information.

  Sinatra in Palm Springs

DATELINE: 50 Years in the Desert!

 1948 Home!

One of the least frequently used ways to examine a life biography is to study the place called home. For Frank Sinatra, that place was not New Jersey or Las Vegas: it was Palm Springs where he first moved in the late 1940s and fell in love. He was one of the self-professed “desert rats.”

When he commissioned a house, it became a sleek modern style that so fit the area. It soon became a compound, and with his marriage to Ava Gardner, she took over much of its design, including a recording studio within for when he had the urge to sing.

Before long, the social and gregarious Sinatra had many of his show biz entourage there. It was an exclusive place which did not cater to his Jewish friends, and with Jack Benny and the Marx Brothers, they built a golf club that was open to all, especially celebrities. Even Bob Hope soon moved to the Springs area.

The home was the site of famous fights between Ava and Frank, resulting in damage that is now part of the legendary design. After their divorce and Sinatra’s resurgence after From Here to Eternity, he moved about ten miles across town to Rancho Mirage where he stayed for the rest of his life. He is buried in the Springs as well.

Sinatra even allowed his home to be used for Joan Crawford’s house in The Damned Don’t Cry. Later, his new compound had many guest houses for his frequent gatherings. He loved to entertain and be entertained. Only his mother’s death in 1977 in a plane crash on her way to be with him seemed to be a bad time.

Sinatra loved to drive around at night—and frequented many of the well-known restaurants of the area, from the Doll House to Melvyn’s. He had his own table in many—and he owned the town. If he came to your restaurant or bar regularly, you had it made.

In the early days of Palm Springs, celebs could walk around unbothered by fans. It was an increasingly cosmopolitan place away from the business centers of Hollywood, and the Racquet Club was part of Frank’s world.

The word most often used to describe Sinatra was “generous.” He was charitable beyond his moodiness or occasional blowup. Most called him a pure gentleman.

His entourage was not only the Rat Pack, but many stars from different films who vied to be part of this Vegas legend.

 

 

 

 

 

 

 

  Mae West: Dirty Blonde

DATELINE: Way Ahead of the Curve!

 Mae in Lion’s Mouth!

When PBS Masters finally recognizes Mae 100 years after her astounding Broadway run, you know she is still years ahead of the rest of society. How did this woman whose first plays were called “garbage,” or “lewd” or worse, manage to transcend Sexand The Dragto become a sotto vocecomic?

She was hardly a dirty blonde, but she was stunning to behold.

Her first play about a sex worker resulted in a week-long jail sentence that became the best publicity stunt New Yorkers ever saw. Her second play, she scoured the drag queen bars of the 1920s to find 60 gay men and women to do her ground-breaking shocker about homosexuality!

It took her thinking about why few women attended her plays (she wrote, directed, and starred). So, she came up with Diamond Lil, in hour-glass dresses, fancy lingerie, and big hats: add a few off-hand jokes, and she was Mae West forever.

You could say she saved Paramount Studios with her astute performances: she was in charge of everything and made $1 more than the highest paid executive. She insisted on black performers with billing in her movies, and she gave Duke Ellington his first Hollywood exposure!

Mae hated negativity—and she liked to be in control. Slowly she evolved into a real version of her creative version. She was forty and overweight when she made her first movie, and she was run out of Hollywood by censors. By the 1950s, she was considered a man in drag herself–and she was ripe for parody everywhere.

In the 1970s in her 80s, she made a comeback as a sex symbol, a shocking parody that was hilarious inSextette  and Myra Breckinridge. With her half-baked singing, shimmy, and snide overcurrent delivery, she was a striking original.

 

 

 

Hollywood Lens of Murray Garrett

DATELINE:  Eye on Hollywood 1950s

 Odd Couple: Marilyn & Dale Robertson?

You may not know his name, but the photo-journalist of choice among Hollywood minions of the 1950s was a New Yorker with a keen sense of beauty. He protected his subjects—and they appreciated it.

Murray Garrett started out at age 16 taking photos of celebrities. He even apprenticed with one of the big Broadway photogs and learned how to visualize stars on stage, meeting the likes of Brando and Ferrer In their stage phase.

As someone who met and worked with a few celebs, we can confirm that the lessons and observations of Murray Garrett are more than a means to live with stars: it is a sense of decency that sensitive people, artistic souls, easily spot.

The documentary of his career and life shows that Murray knew how to see the best in people—and took a photo of it.  His pictures show clarity of heart, beauty and honesty in every subject.

At 16 in New York, he was to take a photo in Frank Sinatra dressing room in 1943, when the singer was first going solo. Sinatra asked for a print—and Garrett said, of course. Sinatra was snidely disbelieving, but the kid returned the next day with an envelope and left it.

Three years later he was in Hollywood at a studio and walked through the commissary—and Sinatra recognized him! He told others the kid was a great photographer from New York, and Garrett was on his way.

He was a personal photo-journalist, and took pix at Sinatra parties.

Later, he met Bob Hope who grunted at him from the stage during a radio broadcast. Thinking he’d offended Hope, he went to apologize after the show, but Hope liked him—and wanted him to be an exclusive photographer for his shows. Their relationship last 25 years. He became a personal photo-journalist for Red Skelton and Louella Parsons too.

He was the antithesis of an “ambush photographer,” and stars could trust him to destroy any unflattering images.  Yet, it was more than that: he actually talked to his subjects before shooting and seemed to win relaxation that showed up in pictures.

 

 

 

 

Afraid of Nothing or Nothingness?

DATELINE:  Paranormal in Salem, MA!

 Director Robert Heske.

Bob Heske is a writer/director of low-budget stories, and his major documentary film is called Afraid of Nothing.Its appeal on some levels is all the small businesses associated with spirit life and death (from Ouija board historians and prosthetic mask shops to healers of all stripes who meet people for various paranormal purposes.

The film spent considerable time in Salem, Massachusetts, which is a hotbed of witchcraft and afterlife experts. Also included in the visits are East Bridgewater, Mass., and Gardner, Mass. All three locations are adjacent and contiguous owns where this writer lived.

As someone who lives in a haunted house, we are always curious about others and what they experience: to that end we meet regression specialists, healers and teachers of how to deal with death. The big wheel involved here is Jeff Belanger who created the Ghost AdventuresTV series and has cornered the market on paranormal topics in New England.

An actor from Los Angeles is at the crux of people here, as he lived a previous life in Salem—and has been drawn to return to the area of Salem Willows, an old haunt.

All these many individuals have achieved some level of connection to the great beyond—and all seem to have multiple talents to connect with both positive and negative forces. It astounds us—as we have only one spirit in the house, though he is a big one, a victim of Titanic.

We have learned late in life that we have some still unknown connection to this guide and mentor who is a guardian spirit. So, we hardly disparage all the kind souls who show up in Bob Heske’s little film. It is not frightful or horrific, but it is informative and fascinating for those with an interest in the hereafter.

 

 

 

 

 

Mike Nichols: Becoming & Unbecoming

 DATELINE: Insider Biography

 Burtons with Nichols.

Filmed shortly before his death several years ago, director and comedian Mike Nichols reviewed his life and career before an audience and in a more private interview. HBO put together this short film about Nichols called Becoming Mike Nichols.

The result is an illuminating exposition about a self-made director.

In the early 1960s in the heyday of the monologue comic standups like Mort Sahl and Bob Newhart, you had Nichols and May among the cleverest of all. Their run ended when, Nichols admits, he became too obstreperous director for May.

It opened up a chance to direct in theater, not merely his partner. He started with Neil Simon, Walter Matthau, Robert Redford, and Odd Couple on stage. Not exactly chopped liver.

He knew many Broadway stars from his years in New York, and met Richard Burton when they were in next door theaters. Burton later invited him to Rome to visit where he met Elizabeth Taylor while filming Cleopatra—and he was instrumental in having both appear in his first film, Who’s Afraid of Virginia Woolf.

Three days before filming, he had friend Tony Perkins give him a crash course of pointers on use of camera in movies. In fact, he learned on the job. His work began a string of brilliant movies: The Graduate, Carnal Knowledge, Catch-22, and other literate films like The Birdcage.

The documentary focuses on his first two movies in depth, giving marvelous insights into Taylor, Burton, Dustin Hoffman, Buck Henry, and Simon and Garfunkel. The anecdotes leave the audience begging for more. A few pearls drop about Jack Warner, Billy Wilder, Anthony Perkins, but there is not time or attention to those.

There is nothing really about his Emmy winners or Tony winners. You may want to know about The Birdcage or Angels in America,  or his work on Gilda Radner or Whoopi Goldberg, but you will need to look elsewhere for that.

 

 

Oak Island Ends 7th Season with $ Whimper

DATELINE: The Price is not Right.

 Star is born.

When Gary Drayton is doing the History Channel promos for the last episode of the season, you know they have a new star on their hands.

It’s raw November as the season ends, and the digging time is over. The so-called Fellowship’s final dig becomes too dangerous and is curtailed because of collapsing tunnels. It is the worst news of the season.

Attention immediately shifted to the swamp. It was a docking area and a man-made site, and Dr. Ian Spooner brings the most interesting news. He dated tree branches and rushed to give them the dates of his findings.

The swamp was created in 1200 A.D. which seems to be Templar. It is a stunning historical event, though this is secondary to finding gold in most eyes.

Marty Lagina resisted any idea of the swamp being important, but now he has found that answers are there. If the swamp was made in 1200, you have something momentous, far earlier than the Columbus discovering America notion.

Human activity could include tunneling 800 years ago. There is a stronger sense that there were several treasure burials. A second group may have taken advantage of their knowledge about the early excavations.

If there is cold water, Marty Lagina has the right to throw it on this exploration. He now states that additional digging for the Money Pit may now tally into the tens of millions. At what point does the treasure wash out by the cost of retrieving it?

Should they dig down 250 feet and create a concrete circle in which you may find the treasure?  It seems beyond feasible. How much profit can you dig out of this series?

A memorial to honor Dan Blankenship was created immediately, no matter what else happens. Dan’s not able to be there, but his presence will remain.

 

UFOs: Bigger and Better than You Realize

 DATELINE: Ultimate Guide

  Is it really an 1870 photo of UFO?

Alien mother ships that are fifteen miles across and 40 stories tall? These cylindrical or cigar-shaped monsters in space have been seen everywhere: from Mount Washington in 1870 (the first UFO photo) to next to one of Mars’ moons in the 1970s.

Yes, the first photo of a UFO was taken in 1870 not far from where Betty and Barney Hill were abducted about a hundred years later.

Ancient Aliensprovides us with a guide this time around. Even Travis Taylor comes back from Skinhead Ranch to tell us that there is more technology than magic in UFOs. And, the usual gang insists that the shapes of UFOs indicate something about the creatures who pilot them.

Another shocker was 2011, a large light hovered over Jerusalem at night at the religious center of most world religions. It also moved away at instant speeds. Acceleration has always been something beyond human abilities (with G-force that would kill organic matter).

Cigar-shaped craft were spotted and painted by witnesses back before Leonardo da Vinci was born.

It means the aliens are either robotic, or are light beings. You know, sort of like orbs. Dr. Kaku thinks they are remote controlled or some system that uses drones or are flown autonomously.

NASA already is preparing to send shape-shifter robots to send to Titan and other distant world to adapt to the world with methane air and sea. They are mechanical adapters—going from triangular to circular. They are also self-replicating to colonize.

Yup, we are them, however ungrammatical.

Parce Domine,or Sing a Song of Sixpense

DATELINE: Joy in Nolan’s World

  Out into the World!

The most literary TV series of recent memory has returned for season three under the creative control of Lisa Joy and Jonathan Nolan. Nolan, of course, gave us the extraordinary Person of Interest, but nothing came close to this artistic juggernaut.

Welcome to Westworld III. It’s almost like World War III.

Now, with robots amok, we begin with a Latin Gregorian chant phrase, so typical of an overeducated TV production in an age of under-educated audiences.

Many stars return for the new season—but many notable names are omitted (at least officially so far). Dolores, the head robot rebel, is about to lead Armageddon on the human race by the hosts of Westworld.

Evan Rachel Wood now wears designer gowns after two seasons of a western petticoat. She is stunning in spike heels to say the least as a homicidal android.

Her first stop is a fifteen-minute visit to the billionaire world of the man who owned all the robotic worlds of androids. She is about to take his money and run. It’s quite an android future, based on the lifestyle of the superrich in 2060, or whatever future it is.

New character Caleb is introduced as what appears to be a second-rate criminal and war veteran. He must be presented in parallel to Dolores’s ruthless involvement with the powerbrokers of Westworld and the virtual world.

Bernard (Jeffrey Wright) is on the run as responsible for the murder of Westworld’s Board of Directors.

Mostly, the world outside the robotic paradise is stunning visually: with most of the location shooting in Singapore and Spain. As far as Dolores is concerned, she is out to take over the human world for revenge (we presume).

This is a sumptuous production.

 

 

 

 

 

Oak Island: Time Running Out

DATELINE: Reckless 7th Season?

 Mercury Dunk?

Dr. Ian Spooner shows up to assess another breakthrough in the swamp. Can it be some kind of megalithic creation that is manmade? Bigger is more desperate on Curse of Oak Island as we wrap up another season of empty-handed potential.

Big trouble is coming because the coffer dam must be removed within weeks, with the permit running out after one year. Not only must the dam be removed, but the area must be made to look as it was. Why can there be no extension of the permit? There is no explanation. Did they even try?

Finding a potential tunnel to the Money Pit means that Rick Lagina will go down on a bucket into the hole. If this seems a bit extreme and likely to be dangerous, we must recall that this is a cliff-hanger series with death-defying (or something akin to it).

Another lead artifact now has a strong mercury component, which suggests that Francis Bacon may have done some experiments on the manuscripts of Shakespeare. The lead also can be traced to the Middle East. More inconclusive but tantalizing hints. We are hooked again and reeled in.

Another curious discovery occurs at the home of original finder Daniel McGinnis whose root cellar was a secret tunnel, leading to something hidden. Because permits will not allow them to dig deeper, whatever treasure buried under the house cannot be excavated for a year in all likelihood.

If you want frustrations, they are everywhere this week. They have found more 1760s tunnels and shafts. Rick Lagina plans to go down in the bucket. They have to insist he come out before it caved in on him (which likely is his preference). Of course, Marty Lagina must put on a harness and goes down.

So they put a camera on the long-range excavator. Even that is inconclusive: we feel like we are no closer to knowing anything.

With time running out for this season, it becomes clear that a new sequel series is in the ready with the Lagina boys: it’s called, naturally, Beyond Oak Island.

Thee’s a sucker born on Oak Island every minute.