Stonewall Flower Trump

 DATELINE: Green Monsters Excluded

wall flower

We all know Deranged Donald’s propensity for the Great Wall of China, or any other wall that seems to meet his goal of keeping out the riff-raff.

As we recall, Emperor Hadrian built a wall in England to keep the blue hordes of savages from usurping Roman rule in Britannia.

We also remember the Berlin Wall, another example of how to prevent people from coming or going. Whether Trump will pardon ICE guards who shoot transgressors, time will tell. We know he will give pardons galore.

In the meantime, Trump shows another element of his wall demeanor by telling all members of his administration to “stonewall” the Congressional investigators, no matter who or what they want.

As you may know, stonewalling was one of the basic tenets of the Nixon years in Washington.  Now Trump wants to take it to every swampy corner of his miasma of leadership.

We think the great irony of walls is the one that is best suited to the Fortunato of Washington: we have considered Edgar Allan Poe’s little ditty, “Cask of Amontillado,” to be the best wall story in American history.

Fortunato incurred the wrath of Montresor who despised the man in the jester suit, the Fool on the Hill.

If you’ve forgotten, a transgressor named Montresor deceives a so-called friend and lures him to his great wine cellar where bricks and mortar await. It’s the ultimate wine and cheese party for a cheesy guy.

In one of the nastiest murders in American literature, the blithering fool is slowly and inexorably stoned into a crypt in the wine cellar.

It may seem ironic that the man who most admires walls should not enjoy the fate of a Poe character. At some point, Trump will be walled up in a prison cell, a fate too good for the man who is the modern Stonewall Jackson.

 

Demise of TV Satire?

DATELINE:  Trump’s Attack on Humor

trumpet the New Archie Bunker?

President Trump wants to shut down Saturday Night Live because it is an “Enemy of the People.”

In his view, no views should be expressed on TV unless they are kind, balanced, and fair to him.

Of course, television has a long history of unpopular, brutal satire. The shows include That Was the Week That Was. TWTWTW, as it was known, or TW3 in some circles, was half-an hour of unremitting political jokes that skewed Republican Barry Goldwater during 1964. It was on in prime-time and was pre-empted every week, almost, by paid TV commercials from the GOP. They eventually saw it canceled.

The other shocker was The Smothers Brothers Hour, on Sunday nights that was sixty minutes of unremitting anti-Nixon, anti-Watergate cronies in the Roger Stone archetype.

It was so virulently anti-Nixon and his dirty-tricks-team that Nixon put it on the Enemies List and had his influential friends at the network cancel the show.

All in the Family started out as a brutal satire of crypto-Nazi bigotry in the Queens suburbs of New York. It was enormously popular during the 1970s, but its satiric bite was lessened sharply when Archie Bunker, the bigot, became a lovable American hero. Embraced as a delightful example of American parochialism, he flourished, a fan favorite of conservative America.

During the same years came SNL.  It was out of prime time, even reveling in the idea with the Not Ready for Prime Time players, a group of future movie stars who did satiric barbs.

SNL still lives, over forty years later, and has become nastier in its attacks on Trump, which incenses the President. He wants it investigated and stopped.

If there had been a radio show in Germany in the 1930s, Hitler would have had it raided and had its comedians sent to a concentration camp. Indeed, Jack Benny made a comedy movie about such an idea in his greatest film called To Be or Not To Be. ICE may yet raid SNL.

So Trump is in fine company as he awaits impeachment and prison for his dubious unconstitutional, uneducated, and anti-satire demands to close down freedom of speech.

Holiday Cheer for Trump Limited to Bronx Cheer!

 DATELINE: No Smocking Zone

Graham Demonstrates Technique Beat It!

There’s a smocking gun in Donald Trump’s pocket. And he’s glad to give Season’s Greetings to Stormy Daniels if she has $300,000 for him.

The National Enquirer apparently knows that “peanut stuff” can be elephantine for the fat cat president who happens to be the biggest bath tub filler since William Howard Big-Boy Taft was in the White House.

The writing is on the wall and the walls are closing in, which certainly describes a penthouse for Putin at Trump Tower.

Trump only has a vague recollection of doing business “somewhere in Russia.”  We suspect he was thinking of building gulags out in Siberia for his Fox and Friends.

We have come to realize that Mr. Trump does not know what the word “collusion” really means, which is not surprising for a self-styled genius with learning disabilities.

Next thing you know Trump will insist that payments to Stormy and friends were not champagne contributions. We’ll drink to that.

If you want to work in the White House, you have to be in line for Tom Sawyer’s whitewash fence job, according to an unimpeachable source named Tom Steyer.

Where there’s smock, for Trump, there may be a muumuu for prison garb. If the muumuu fits, it’s smocking hot.

If you want to work at the White House, you need an NDA, especially if you don’t have a big bank account on hold.

Hitler had his Big Lie, but Trump has a Bigger Denial.

The witch hunt Trump most enjoyed was when Samantha went looking her mother Endora on Bewitched.

Don, Jr., has gone missing this week. Reports have surfaced that he is Big Game Hunting for reindeer at the North Pole.

When you consider a $50million bribe to Putin to be “peanut stuff,” you have a Colossus of crime on your hands.

Napoleon was sent into political exile on a remote island for his crimes, but Trump will be sent to Gilligan’s Island for his antics.

Oak Island 6.3, Not Exactly Revelations

DATELINE:  Not Unforgettable

arrow

We have been asked where is our Curse of Oak Island assessment for 6.3.  And, we feel like responding, let sleeping dogs lie. Some weeks it may be best to allow us to ignore the treasure hunters.

In the third episode of the sixth season, we begin to feel like chapter and verse is out of synchronization. Oak Island is beginning to feel like an enforced work camp.

The onerous tones of the narrator continue to insist that death is around the corner as payment for any discovery.

Seismic results show a bunch of oval shaped anomalies under the ground on colourful maps. We were unmoved. Some voids are only fifty feet down, above water level. Since they found key stuff last season at nearly 200 feet, it seems a tad odd to believe that significant finds are so shallow.

Yet, the explosive technology reveals caverns and voids, not so deep after all.

It appears the five elders of the Oak Island crew (minus 94 year old Dan Blankenship) drove 2000 miles to Calgary, Alberta, to receive this result. If so, this may well be the most revealing detail in five years. Do we have a fear of flying among our foibles?  Most of the younger guys are out to lunch here, as if the next generation has been frozen out of true discovery.

They have been eliminated from most of the episodes so far in season six.

In the meantime, Gary Drayton’s instant analysis on the rocky shore of the island, digs up a thin and deadly metal crossbow shaft. It is a small weapon that is meant to piece armor and chain-mail, not e-mail. He is utterly thrilled, believing it is Templar age.

In another revealing moment, it almost seems as if Rick Lagina’s enthusiasm at the discovery is muted, understated, and diminished. Has the search finally wore out his thrill of the expensive efforts? Or is he just a bad actor for these re-enactment scenes that are filmed for the show?

We are again and again puzzled by absences of regular cast members: the list seems to have expanded as to who’s no longer present and much of a factor in the show.

 

 

 

Trump’s 2020 Opponent

 DATELINE:  Checkmate, Matey!

Reaper Chess, anyone?

Much speculation now circulates on who will be the best candidate against Trump in 2020. We know the winner, hands down.

Polls seem to indicate the best person to run against Trump will be a woman. Our choice is more gender-neutral. We suggest the Grim Reaper.

You may recall that Ingmar Bergman’s Knight dealt with him in The Seventh Seal, and more recently Bill and Ted went up against him.

Of course, we know that Trump is not smart enough to beat the Grim Reaper at chess. Heavens, he probably doesn’t even know a Fischer from a Spassky. He is the quintessential rook-master, but calls it a castle.

Some suggest Michelle Obama would look good in a cowl and black robe, but we think there is another candidate from Destiny. His name is the Grim Reaper.

He seems inevitable. Considering Trump’s age and weight, the President in his mid-70s with a considerable girth may be just what the Reaper wants in his white male presidential candidates.

Not since William Howard Taft became stuck in his bathtub as the fattest president has there been someone as zaftig as Trump. Taft lost the election, not weight.

There is a fat chance that Trump will continue to eat fast food cheeseburgers for lunch and wash it down with sugary soda. If so, by 2020, our vision tells us he will be the size of overcooked Roman emperors, and just as likely for a palace coup led by the Reaper.

Trump loses to the Grim Reaper and is cut down by the scythe of life.

Windy Conditions for Orson Welles

DATELINE: Citizen Kane’s Bookend

Orson's Last

It’s disorienting to see a new movie that is 35-years old with stars long dead: John Huston, Mercedes McCambridge, Edmond O’Brien, Paul Stewart, and all the usual Orson Welles friends. He also included new discoveries in his films like Bob Random and Rich Little. Orson called it The Other Side of the Wind.

The movie is a mockumentary of a movie made on the last day of the life of a legendary film director named Jack Hannaford.

Huston is Hannaford, playing God again, or the devil to Welles as observed by Susan Strasberg (daughter of James Dean’s acting tutor Lee Strasberg) as she plays a carbon copy of film maven Pauline Kael.

As the insider look at Hollywood develops, those in the know will begin to recognize that Johnny Dale is Jimmy Dean, and that the director appears to be a combo of Nick Ray and George Stevens, the men behind the films Rebel Without a Cause and Giant.

Indeed, two of Dean’s co-stars have roles in the film: Dennis Hopper and Mercedes McCambridge. Our money is on Nick Ray—whose ambiguous sexual relationship with stars seems to be at the heart of the Welles picture. He is giving us the ultimate insider look.

Welles never used nudity in his films until this final movie: he plays to the times, psychedelic sex, which now seems dated. The film made by Johnny Dale is sandwiched within and around the life of Hannaford who dies in Dale’s Porsche Spyder, a copy of Dean’s death car.

All the usual Orson touches and themes are present: betrayal of people, rather than principle. There are no principles in Hollywood. He also has a field day ridiculing all those New Wave European directors.

Movie magic is everywhere because Welles could do so much with so little—and scenes seem seamless, even if shot with body doubles three years later.

Critics claimed he never wanted to finish the picture because it was his raison d’etre. It was also his Swan Song and his testament to Hollywood. It’s brilliant and fascinating with every step of the much-sought divine accident that Welles believed essential to film inspiration. Highly recommended.

Lindsay Graham: “I’m not gay!” with Qualification

DATELINE: The Lady Doth Protest Too Much

Graham Demonstrates Technique It’s All in the Wrist!

Not two weeks after we postulated that Trump is blackmailing Senator Lindsay Graham for his support, Mr. Graham, the Cracker from Carolina, the recently emboldened supporter of Bone Spurs Trump, protested weakly,  “As far as it matters, I’m not gay.”

Whatever does that mean?

Let us try to clarify: in a nutshell, what it means, “As far as it does not matter, I am gay.”

That is Republican-speak for “I am in the closet, and don’t try to drag me out.” It also means he is worried that Trump will out him.

Graham may not be actively pursuing his interests or engaged in any relationship right now. That means it as far as it matters. We cannot imagine a threesome of Rudi Guiliani in drag, Bone Spurs Trump, and Graham Cracker. Well, we don’t like to picture it.

He is not marching in gay pride parades, beating a drum at the Stonewall, or supporting gay legislation, as far as it matters. We have seen Republicans in the past who were exposed for the same stance, or worse, or is that less?

What is Lindsay Graham so nervous about? Well, how about them voters in his home state? He also shared his view that calling someone gay, or outing them, is “belittling people” and he does not think it “funny as it used to be.”

As they say in England, don’t laugh at the Queen.

TMZ is not known for its frivolous exposes. Nor is the National Enquirer. They are sites that reveal sordid and salacious details that some want kept in the closet. Like Lindsay Graham.

Calling Graham gay is like beating a dead horse. Outing Lindsay Graham is like putting jimmies on your ice cream cone. You still have to do the licking.

 

 

 

 

Mid-Trip Crisis

DATELINE: Coogan & Brydon in Italy

Italian job

The Trip to Italy is the middle piece of the trilogy of mockumentaries by Steve Coogan and Rob Brydon. The Trip to Italy is directed by Michael Winterbottom again, and he condenses the film to the best bon mots uttered during the two-week business holiday.

These minor British TV stars are on the verge of making it big in American movies, and they are thrown together for another series of adventures by the media. They are temperamental actors who seem not to enjoy each other’s company.

However, they are amusing together. It’s said that Abbot and Costello were not friends but were a business association. So, it is here. This is the business of growing older with wit and aplomb.

The conceit of the journey is to visit great Italian restaurants and trace the expatriates Byron and Shelley along the way.

Coogan and Brydon compete over everything, especially to show which one has more talent and is more successful. They do imitations of Hugh Grant, Roger Moore, Michael Caine, and Sean Connery, over dinners to die for in exotic coastal Italian tourist spots.

Not much is sacred here in their barbs, not even the dead at Pompeii.

You may not be used to intelligent conversation like this. You certainly wonder how they could not enjoy their mid-life crises while living La Dolce Vita.

Not everything is fun, as there is a downbeat inner core to the cavorting. They might die happy in one of these spots, but we doubt it. They sabotage their own trip, their friendship, and seem to have a grand time of indifference, their personal existential crises.

We are happy to have a chance to be a fly on the walls of their discontent.

 

The Outrageous Sophie Tucker

DATELINE: Red Hot Mama!

Sophie & Tallulahwith Tallulah!

Without Sophie Tucker, you would never have her descendants in music and entertainment. She was the originator of the styles of Bette Midler, Barbra Streisand, Lady Gaga, and Mae West too.

She preceded them by decades. She first burst on the scene in 1903, and the loving documentary on her called The Outrageous Sophie Tucker was directed and written by people who never knew her personally. Yet, she left many people thunderstruck—and she knew them all in show biz from Jolson, Cantor, to Garland and Sinatra.

Sophie was the first and last of the Red Hot Mamas. She could do jazz renditions like Bessie Smith, leaving many black people to think she had soul. She was a Jewish girl from Hartford, daughter of immigrants who ran a kosher restaurant.

She ran through three husbands in short order, but also dominated three media—radio, television, and music recordings. Movies were a cameo away.

A full-figured girl, she made her size of zaftig a marketing bonanza. She could do self-deprecating humor with Berle, Durante, or Bob Hope. Sophie also believed that simply being friendly to fans was the best marketing gimmick in the world: she spent hours sending off notes and going out to dinner with local dignitaries on all her tours.

She told soldiers during World War II to write to her—like a mother figure she was, and she answered.

She was friends with Al Capone—and J. Edgar Hoover. Indeed, Hoover and Clyde Tolson came out to her. He asked for one of her sequin dresses—and she joked with him “You’ll never get into it.” She later swore off men—and had a series of female companions; perhaps platonic, perhaps not.

If you don’t know Sophie Tucker (she died in 1966) after a career spanning seven decades, you might want to spend 90 minutes reprising her life in this wonderful documentary.

 

 

 

 

Bend Unbroken, Stir Unshaken

DATELINE:  James Bond Satire

Chris Lew Kum Hoi Dr. Tu Yung

How amusing is a gay parody of James Bond? Well, if you tune into Matt Carter’s one-hour spoof, you may be more than pleasantly surprised. It is not too violent, nor too sexual.

It’s Jayson Bend: Queen & Country.

So, it falls into a Goldlocks world of gay cinema. And, thank heavens, it is not about teenagers with a coming out angst and done on videotape.

Some of it is heavy-handed, as it is always difficult to satirize a satire—and people often forget that James Bond was Ian Fleming’s satiric secret agent. He is taken too seriously.

Matt Carter seems to have his name and paws all over this little film. It stars Davis Brooks as Jayson Bend (not Bent), but it’s Jayson with a “Y”—and don’t ask.

We find the cute girls are replaced by cute boys—and Dr. Tu Yung is an adorable villain (played by Chris Lew Kum Hoi).

What may be a great surprise is that this film has a big budget look about it. The color is bright and bold, and the fast cars and special effects are just right. The only violence is at the start, and the sex is chaste: hints by kiss.

It’s safe for straight guys.

Two Mrs. Carrolls Lacks Noir

 DATELINE: Oldie May Not Be Goodie

  Stanwyk & Bogart Great Stars! Abysmal Script!

Back in the late 1940s, it was tough to find leading ladies who were strong enough to stand up to Humphrey Bogart. Usually producers fell back on his wife, Lauren Bacall, for a counterpoint.

In a rare miss, Bogart was teamed with one of the big misses of the era.

Big women movie stars on the screen—like Joan Crawford and Bette Davis—did not measure up to the scripts that suited Bogart.

On the other hand, Barbara Stanwyk was also a tough cookie to play against. She was so tough that her leading men came off as Neanderthal, if not pussycats. Gary Cooper was a regular costar, and after that, you were facing weaker characters (played by Fred MacMurray or Ronald Reagan, or the nice guys like Bill Holden).

After Sorry, Wrong Number, she took on more nasty victims, and so we come to teaming Bogart and Stanwyk, almost deserving of each other in the dull-witted murder-thriller The Two Mrs. Carrolls. Stanwyk is hysterical on the telephone once again, and rest assured, the rainy Scottish weather means that Bogart will don his obligatory trench-coat and fedora for at least one scene. It isn’t enough.

It was post-World War II and tough-guy actors were stretching into demi-villains. Thus odd-ball film is set in Scotland with an American cast of apparent expatriates. Nigel Bruce (Dr. Watson) is on hand as a dotty doctor for Stanwyk as she is poisoned, and Alexis Smith is the new muse for the diabolical painter.

You keep wondering when Sydney Greenstreet will show up to trap Bogart’s bad guy.

As Geoffrey Carroll, Humphrey Bogart loses interest in his latest wife as muse, murders her, and finds another. It is kind of Andrea del Sarto as Bluebeard.

He plays an unconvincing American artist in this one, not a detective, and he seems to have headaches when the word “death” echoes behind him. He exhibits a bunch of the Deadly Sins—including rage, pride, jealousy, among others.

His alleged successful paintings are deplorable.

These are not good signs for Bogie in the last days of noir. They may be worse news for Stanwyk as victim. She is made so demure that the point of putting a strong woman opposite Bogart was lost. Bogart feeds poisoned milk to his wives, like Cary Grant in Suspicion by Hitchcock. It’s that kind of copycat movie.

This British play is devoid of wit, suspense, plot, action, or anything that could be saved by the high-powered actors at the top of their careers. This was not a Warner Brothers film, or it would never have been made like this.

The final few seconds are the high-point when Bogie offers warm milk to the policemen about to take him away. (Oh, it’s laced with that poison).

What a disappointment for the most part.

 

 

 

Three. Two, One, Blasted Off Your Screen

DATELINE: Billy Wilder Classic

Cagney & grapefruit

Cagney reprises grapefruit scene.

Topical political humor has a short shelf life, and you have only to see a few clips from Saturday Night Live to understand how quickly controversial becomes outdated.

When a major film tries it, as did Billy Wilder in 1962, only a few morsels remain fresh.

Yet, to take in One, Two, Three, the Cold War comedy, is less satisfying than say, Dr. Strangelove, which maintains its relevance.

When Wilder’s outlandish satire was released, East Berlin put up a horrifying wall that changed history—and it was virtually ignored in the movie, except by a voice=over addition shortly before the film was released.

What survives in a favorite comedy is the manic performances.

James Cagney plays the head of Berlin’s Coca-Cola division, unhealthy capitalism at its best, and he is marvelous to behold. He grows more intense with each passing scene, stealing anything he make merry.

Others in the cast are less successful—but seem now perfectly placed in their roles:  game show actress Arlene Francis didn’t forget her line was snide off-put wife. She is surprising effective, though the German jokes are thick.

Pamela Tiffin as the sex kitten from Atlanta is decorative, but she faded fast, unlike Ann-Margaret who might have run with the role. And, as her East German Commie boyfriend, Horst Buchholz sends out a post-James Dean vibe that shows how misused he was.

Leon Askin as the Russian commissar is delightful, and Lilo Pulver dances on tabletops in the Grand Hotel with lesbian couples while a hapless band plays and sings,  “Yes We Have No Bananas,” in German.

The music of the intense and insane “Sabre Dance” is stirring to the break-neck pace of screwball comedy, already a dinosaur in Hollywood.

Cagney’s version of My Fair Laddie turns a Commie lout into Austo-Hungarian royalty during the hilarious second-half of the film.  Cagney hated working with Horst and quit movies for years after. His best line to Buchholz who wants to lead a revolt of workers is: “Put your pants on, Spartacus.”

You shouldn’t miss it but brush up on your Cold War etiquette before tuning on the stream.

Dead Again, Hysterical Satire

DATELINE: Reincarnation Mystery

kookoo mystery Kookoo Noir Takeoff

There was a time nearly 30 years ago when Kenneth Branagh was considered the reincarnation of Orson Welles, with a dollop of Laurence Olivier thrown into the mix.

So, the time has arrived to re-assess one of his early efforts called Dead Again from 1991.

He was a promising and brilliant director of unusual fare and acted well too. This looney mystery deviated from his usual Shakespearean play adaptations by entering the film noir, detective story, broadly copying Warner and Parmount features of the late 1940s.

What most missed back then was the fact that this overwrought tale of reincarnation and murder was overdone deliberately. We cannot believe Branagh was dumb enough to think this was not a comedy.

The film does double duty: telling a modern case of a detective Mike Church in LA today, and the strange killer, Roman Strauss, a composer and conductor of 1948, who was executed for murdering his wife. The black and white noir flashbacks are spot on for 1940s imitation. Dick Powell and Lizabeth Scott are suitably channeled.

Branagh is a little weird as a detective (his reincarnated self) who is an LA sleuth with a Brooklyn accent. That might be the first mistake, or first clue.

The cast is equally impressive, with Emma Thompson as Strauss’s wife, the concert pianist victim, and the modern woman with amnesia that Church must help.

Call in Derek Jacobi as some kind of psychic hypnotist to regress the woman to 1948, and you have another brilliant performer slightly out of place in an American movie.

Also hanging around in cameos are Robin Williams, Scott Campbell, and Andy Garcia. This film is no slouch when it comes to top-level talent. Yes, Wayne Knight is here too.

We are a sucker when it comes to transgender resurrection and timeless love stories.

Everyone immediately notices that Emma Thompson resembles a woman dead in 1948, but no one seems to notice that Kenneth Branagh resembles her convicted murderer, executed in 1949.

Oh, well, that’s Life Magazine for you. In the meantime, the movie moves more and more toward utter lunacy, skipping over plot holes like hopscotch gone to bad karma.

We like our twist of reincarnation with a bitter of gender bending. Add some lemons and you have Branagh imitating Paramount and Warner Brothers murder mystery thrillers of the 1940s with panache. We are Between Two Worlds and the Two Mrs. Carrolls.

Like a warm British beer, this movie is all frothy, and the suds will make you queasy. It’s eye-rolling fun.

 

 

Shakespeare Undone: Cymbeline

 DATELINE: Clashing Cymbeline

cymbeline

King Cymbeline and Step-son!

Michael Almereyda is known for putting the modern spin on the old stuff. To call Shakespeare’s secondary play, Cymbeline, a lost masterpiece in the trailer is a tad misleading.

We must ask, ‘what have we got here?’

Updates of Shakespeare are always a fad, and Michael Amereyda provides us with a Sons of Anarchy version of Shakespeare’s lesser Brits versus Romans story.

Alas, Shakespeare was already making a parody of his earlier work, Romeo and Juliet, in this late career tale of young love.

Putting a secondary Shakespeare play into an American biker setting is guaranteed to drive biker fans crazy in five minutes, and Shakespearean purists to the remote control in 10 minutes. No one will stick around for the standard blood bath we know is at the end of Shakespeare’s dramas and histories.

Watching this one is like viewing those delinquents in West Side Story as they do ballet down the mean streets of East Harlem in a different Shakespeare update. It is slightly ridiculous.

We are always sympathetic to American actors who try Shakespeare. This film avoids showing you the actual Shakespearean dialogue in the trailer. It may be a rude shock to the unwary fans who tune in.

We commend every American actor in the movie for managing to use their skateboards and smart phones and still spit out the Shakespearean language. The cast is marvelous: Ed Harris plays King Cymbeline, John Leguizamo as an unfortunate aide, Ethan Hawke as a notable enemy, the lead Anton Yelchin is Harris’s step-son.

We suspect there are English majors who have read a dozen Shakespearean plays but never this one. So, we are pleased that Almereyda has made it available and semi-watchable. The plot is incomprehensible, because we can hardly root for drug abusing violent Hell’s Angel bikers versus corrupt and ruthless police.

If done with British actors, the whole thing would look like something out of a gay leather movie, which American boys Anton Yelchin and Penn Badgley have their parts.

We might never see another version of Cymbeline other than this movie. For that we are grateful, even as many other fans head for the exits. We stayed till the end.

 

Sketchy Brady & Stormy Weather

DATELINE: Say It Ain’t So, Tom!

While Tom Brady is away in Arabia, playing at Lawrence of Best Buddies, on a charity junket to Qatar, riding camels, the home-front is afire.

It’s not bad enough that Bill Belichick is playing the Gunfighter from Westworld, trying to do a robot kill on Brady, but now Mickey Spillane Avenatti, the nightmare attorney who is giving Trump a nervous breakdown, has set his sights on Tom Brady lookalikes.

It appears that a criminal sketch artist has come up with a picture of the man who threatened Miss Stormy Daniels about revealing too much detail about Mr. Trump’s strumpets.

The last time a sketch artist did in Tom, he started to look like Quasimodo in a bad bell-ringer mode during the Deflategate trials.

Today, of course, he looks like a man whose TB12 method means he never had or needed Botox. The latest picture is supposed to be a young thug from 2011, back when Tom wore his hair askance and before the hair-plugs for men settled in.

It would seem that Tom’s one-time support for President Trump will go a long way to ruining his life now and forever. He is paying a dear price for having a MAGA hat in his locker for one enchanted evening.

Tom is so hated in some circles that concussed football fans think he is capable of approaching a porn star with a threatening glare.

We feel being out of the country at present may be the best strategy for Mr. Brady. He also ought to consider hiring a better public relations agency to handle his press junkets.