Not Beyond Gary Drayton

Butch Cassidy

DATELINE: Beyond Oak Island

The second episode of the Beyond Oak Island commercial for Curse of Oak Island may turn out to be a community audition for Gary Drayton’s own series. We hope so.

If not for Gary, we’d probably skip this show. He makes an entrance and tries to minimize the Laginas with his understanding of the Robber’s Roost and Butch Cassidy, despite being British.

The show is given over then to three re-enactments of famous robbers and their lost or buried booty. Only the first one deals with Butch and Sundance. Word from the Cassidy family is that Butch returned to the United States in 1925—and was not killed, as legend claims.

Meanwhile, the Lagina brothers reminisce about Westerns on TV in the 1950s for ten minutes. We see some stories about the Dalton Gang and Juan Murieta, irrelevant to the point of the show, except as examples of buried loot.

When finally Gary is able to escape Oak Island for his adventure, we realize it will be a short visit. He travels with the great grandnephew of Butch out into the Badlands of Utah. It is clearly a place where stolen loot is as lost as a needle in the proverbial haystack.

Gary’s not going to be able to find much unless he devotes great time—but he quickly assesses the HQ rubble and notes he will look here. He finds a Winchester cartridge, which tells him searchers have missed plenty. There is still ill-gotten gains somewhere in this vast area.

Alas, Gary’s trip is short and he will return to his main task at Oak Island, though if you want a pilot for a new series, Drayton after Cassidy’s double-eagles would be a treasure indeed.

Escape from Devil’s Island

co-star/co-author Jan Merlin

 

DATELINE: 1973 Blaxploitation Movie

 Jim Brown’s prison movie about the 1917 French island prison came before the prestige movie with McQueen, titled Papillion. They had overlapped during filming, but the speed of Roger Corman could not be matched. He was not interested in “art.” He wanted a product that might titillate audiences

I Escaped from Devil’s Island  had all those ingredients.

The film began on a high note: Jim Brown is dragged from his cell in the tropical prison to a makeshift guillotine. He is about to be beheaded before the credits even roll. No flashback was required because the sado-masochistic guards had set this up, knowing a general amnesty for all French prisoners had arrived and no one would be executed. It was cruel kindness.

Of course, this Roger Corman quickie was called a blaxploitation film, geared toward making black audiences approve of a black hero. It’s hard to realize Brown was really doing trail-blazing work, and perhaps the other shocking part of the movie was the open homosexual relationships in the movie. The gay characters are in eye-makeup and are called “fancy boys,” who have boyfriends like James Luisi and Chris George. Rick Ely played the pretty boy who has his nipples tortured in one scene.

Jan Merlin, in eyeglasses, played the leader of the political prisoners—and a communist, which was a true work of performance since Jan was a Republican. For him it was another character unlike his cultured, soft-spoken self,  playing at abrasive, uncouth villains. We must confess to be transparent that Jan co-authored many books with Ossurworld.

The “F” word is used surprisingly often for the first time in movies here, often just to discuss homosexual relations. And nearly every male to male encounter is fraught with both sexual and sadistic overtones.

Once the escape plan takes hold, the movie seems to peter out. Yet, films like this paved the way for leading men of the future like Denzel Washington.

The film deteriorates toward the end with a chaotic fireworks display in a city to help the escapees flee authority.

The best performance in this movie was given by Acapulco, the Mexican resort town, playing Devil’s Island.

Broken Noses, Unbroken Style

DATELINE: Weber’s Boys

Bruce Weber, as a film-maker and fashionista, made a career of studying masculinity in all its forms. He started with a young boxing coach named Andy Minsker and his latest is a bio-doc about Robert Mitchum.

In between during his long career, Weber has run into the wall of many from his generation: the values and relationships with male models he created in the beginning have not held up to today’s more overly sensitive accusers.

Yes, Bruce Weber has suffered charges of sexual harassment from a dozen or more men who might have let it slide years ago. Today, money-struck and fame-driven revenge pulls these guys into a world of accusations, both dubious and false.

In Weber’s first movie, Broken Noses,he took on a lookalike to jazz beauty Chet Baker. This young man, born in 1982, had been a teenage boxing champ—and coached other adolescents in how to box.

Today with horrors over concussions and other masculine pursuits deemed too violent, that world of homoerotic attraction is far more dangerous for other reasons, like being a Boy Scout leader.

Minsker was adorable, charming, and could likely win followers with his easy-going personality. His image on T-shirts from youth still may bring him fame. Weber made him into a book of photos—and relentless celebrity.

The film in black and white from 1987 is hypnotic and staggering to think it could never be made today. Even back then, the Olympic people warned boys to avoid Weber. Andy Minsker was utterly intrigued by the alarms and pursued Weber.

Interestingly, Weber next went on to do a film  Let’s Get Lost  on Chet Baker right before the jazz great met a hideous end.

As for Broken Noses,you might see more than the surface and inclinations in that regard are like reading Tarot cards. You may see something insightful, or you may just go off the deep end.

These young adolescents were part of a norm for the 1980s, and they were the last of a breed. Soon political correctness and re-defined masculine codes would end this world of seductive youth.

Weber’s career has its notoriety and its sublime beauty, and to see Broken Noses thirty years later is like looking at an extinct animal in the wild.

You may fall out of the orbit of Weber’s men and boys, but you cannot deny his sociological and psychological truisms.

Jack the Tailor of Beverly Hills

 DATELINE: You Are What You Call Yourself!

 Clothes Make the Man!

Upon first coming across a one-hour documentary on a fashion store in Beverly Hills, we thought it was one of those vanity documentaries, produced by its subject. Jack Taylor was a 90-year old high fashion artist from old Hollywood days.

The film is a tad old, with Taylor gone in 2016 and his main supporter, Mike Douglas, a decade before that. Yet, we are always eager to catch up on our past misgivings.

Jack Taylor hardly needs publicity, and business is dying out as his A-list celebrity patrons pass away. He would soon follow and take an era with him. He was the man who tailored all those magnificent suits worn by Cary Grant from the 1930s till his death. Grant would order a dozen suits at time.

We wondered if there were any celebs who’d go on camera for a commercial appearance—and there were plenty of men: Mike Douglas, Hal Linden, swore by Jack Taylor. Monty Hall wore a different outfit every show on Let’s Make a Deal, all created by Taylor.

He made clothes for Elvis, Sinatra, Charles Bronson, and so many men. He was not easy either. He would tell them not to eat or put on weight. His suits were meant to show them off at their best shape. His most obstreperous client was Jackie Gleason who needed 3 sizes, because of his weight changes over weeks and months.

Taylor would tell them to eat only half the plate at the restaurant. He did not do alterations, or sew the suits. He has a 60-year tailor for that: he has worked for Taylor for sixty years. He’s in his 80s. But both lament there are no tailors any longer.

We are looking at the extinction of men’s fashion. There was no endangered species list: men’s suits and ties were dinosaurs when the political landscape changed its pants.

Clothes for men nowadays are off the rack at best, and China imports at worst. Jack Taylor knows his world of well-dressed men is fading away. He thinks the 1940s were the last gasp, but the war killed it at that point. And, the 1970s turned into a fashion death knell for men’s clothing with jeans and t-shirts as the extent of wardrobe.

We never expected to be fascinated at expensive clothes, being a recluse who never makes public appearances. However, celebrities still know a good suit is essential, but they are going to have a hard time finding anyone to replace jack Taylor.

Franchise Detectives: Blanc and Poirot

 

DATELINE: TV or Not TV

As if one fiasco performance was not enough in Murder on the Orient Express,Kenneth Branagh has pasted on his giant fake mustache for a second Poirot adventure based on Agatha Christie.

Yes, he is sailing down and down: Death on the Nile. will render another horrible remake of the murder mystery. Put aside the diminutive expert work of David Suchet a few years ago, Branagh is a behemoth in the role (too big for his tiny mincing steps).

Why would Branagh chose to do a franchise murder mystery series on the bigger screen after doing every Shakespearean play that fit his mood on film?

Likely it is the same reason that Daniel Craig has given up James Bond’s franchise to play a cornpone detective named Benoit Blanc from New Orleans. As one character noted, it was CSI by ways of KFC. Knives Out  will be followed by Knives In and Out.

Craig’s character is not even clever, except as the writer lets him solve the crime. Bombast seems to highlight these new detectives who’d never cut it on TV weekly in the old heyday of McCloud and  Rockford.

All-star supporting casts seem to be a draw for these films now: you find faces (some old TV stars) that yearn to be back in the public favor, and you have a cast of suspects that is often highly amusing. Their biggest crime is wanting a comeback role.

So, we will have more of these franchise detectives. The roles are not exactly Prince Hamlet, but great roles often have been reprised by different actors. For almost a century Basil Rathbone was considered the be-all, end-all Sherlock until Jeremy Brett gave him a run.

Now we have new actors (well, very old actors) in new versions of old wine. We toast their hubris.

Boston Stars Join Police Lineup in California!

DATELINE: Wine Chaser?

Call it Selfie Destruction?

Julian Edelman is preparing for off-season surgery by jumping on the hood of an expensive car in Beverly Hills. It’s called drunken vandalism.

Only in Beverly Hills is jumping on a MB SLK considered a misdemeanor.

Now arrested for vandalism, he will appear in the airport courthouse next month—that is, if he’s out of the hospital and Bill Belichick’s doghouse.

Tom Brady’s close chum was out celebrating not being in the Super Bowl with a bunch of former Boston stars; Danny Amendola (his usual mate and partner in crime, and the unusual addition of Paul Pierce, notably of the Celtics Past).

One can presume the stars were imbibing beyond the limits of good sense.

It may be that Edelman is planning to jump ship and is checking out the teams on the West Coast (he is originally a Bay butt). If he is on a mission to scout out teams for Brady, they may be going there in tandem. He may be practicing his jump skills by jumping on car hoods.

We presume Pierce is a technical advisor, and Amendola (as always) is a partner in crime and unnatural activities. They have also done Mexico last year on a skateboard tour.

The latest scuttlebutt from the butt buddies of Edelman is that he will have at least 2 surgeries to repair damage from his insane play at age 34. It’s enough to figure that Bill Belichick wouldn’t take him back or give him a plug nicklel for his future.

No wonder Tom is sending him out to test the TB12 market in the Bay area. Unfortunately, Julie has been derailed in Beverly Hills, a far cry from the Raiders  franchise. Josh McDaniels can have Cleveland! Give the Brady Bunch something of Hollywood.

The Peter Pan Syndrome is alive and well in anyone who thinks they can play NFL football beyond a certain age. How low can down-low go?

Kremlin Letter: Postage Due

DATELINE: IMF Gone Wrong

  George Sanders Goes Out in Flames! 

In 1970 if you wanted a thinking man’s spy thriller, you went to a film based on John LeCarre, and if you wanted a thriller with twists, you went to Mission: Impossible. If you wanted laughs, you turned to James Bond.

If Huston wanted to do Mission: Impossible,he needed the music. This movie version is rife with sex talk and use of sexual blackmail as part of the work habits of spies.

All these spies are retired and go by weird nicknames or coded identities. No matter.

So, it figures that John Huston would manage to straddle the fence and give us a spy thriller that has all these elements—and the imprimatur of one of the great directors: John Huston.

The Kremlin Letteris sheer, unadulterated  nonsense with twist of logic that defies explanation. Yet, it is glorious in its location settings—and startling cast of giants.

You will see in no particular order: Orson Welles, Max Von Sydow, Raf Vallone, Richard Boone, Dean Jagger, and Patrick O’Neal, and in a career killing performance—George Sanders in drag.

We don’t know if this movie led to Mr. Sanders’ untimely exit in Spain shortly after making this movie. He claimed he was bored. Well, we never saw him offer so much energy than as a piano-playing crossdresser in a gay club.

There is talk about two gay characters hooking up: Welles and Sanders. That would have been worth the price of admission, but the film really devolves into one of those sex-talk double-cross twisters.

What has any of this to do with retrieving a letter that seems worthless (but everyone will kill for it). That’s the old McGuffin of Hitchcock.

And Huston had turned to appearing on camera by then—and again gives himself a role in the picture. No spies come in from the cold, and everyone has a license to kill.

We knew this was going to be a treat from the opening credits. Huston still had the juice in those days—and could deliver a real movie in a world of nouveau auteurs.

 

 

 

Waiters & Other High-Flying Panic Attacks

DATELINE: NBA Twits

 File Under Inept Waiters!

Now and then we follow NBA nitwits on and off the court. We seldom follow Miami Heat anywhere, but when Dion Waiters criticized coach Spoelstra and ingested designer drugs making for a panic attack whilst flying with the team, we took notice.

He’s coming to Boston to play after a suspension worth a couple of million bucks. Maybe he can earn the money back by waiting on tables and receiving tips.  We offer our tip right here.

Dion sang an apology to teammates and coaching brain-trust that sounds all the world like a statement from his agent/attorney axis. After all, fines and suspension took money and food out of their wallets and open mouths.

We know from the spellcheck that Dion Waiters never wrote that apology. Some low-paid minion earned his keep.

No one wants to provide real details about imbeciles, lest they be accused of discriminating against drug users and people with bad judgment. We are fearless in that regard.

When we meet a body walking through the rye, we know it’s a kind of Scottish whiskey on his breath.

We doubt that Waiters would be a winner on a team that contained players Bron, Wade, and Bosh. When you put a fly in the oinment, you mainly change the chemistry.

The rain in Spain does not always fall on the plain, no matter what apology/tune Dion sings, and we think as an ordinary waiter Waiters would spill our wry rye all over our spellcheck. Especially at 37,000 feet above the court at American Airlines Arena. It’s no slam dunk from outside the arc/ark.

Dancing on a Shoestring: Gronk Taps Out an SOS

DATELINE:  Dangers of Dance Fallout?

 Gronk Undone!

If you don’t know the fancy moves of Gronk by now, you need a lesson in Dancing with the Stars.

In one of his latest publicity hound antics, Gronk chose to cheer with the Los Angeles Lakers girls. Yes, He prefers gold to Green, you Celtic fans.

You might recall seeing Gronk at games watching the likes of Kevin Garnett and Rondo, but that’s ancient history. He has grown into a first-rate Laker girl.

Those cheers you hear are not from the Bronx, but from the South Boston where True Believers think the Earth is flat and Gronk will return to the Patriots.

If Gronk wants to make a comeback, it will be in movies. He expects his latest film with Mel Gibson will be out before you can say Super Bowl hype.

Though Gronk seems a movie mogul’s dreamboat, he seems more to prefer spending time on Madison Ave. Quicker paychecks, fewer lines to remember, and more fans at the social media.

Like Marlon Brando, Gronk requires one take only and someone to whisper his lines in his ear. That’s why he prefers scenes where guns are blazing.

Every few weeks Gronk tells us that he has a big announcement, but it turns out to be a new product endorsement.

We are on record to wish Gronk stays healthy, avoids concussions, and has fun with fans and media. He remains a loveable lug, and we forgive him for exposing himself needlessly to Los Angeles TV producers who attend Laker games.

If you don’t realize that he admires Jack Nicholson and wants a part in his latest movie, you may not know that Jack—like Gronk—is permanently retired

 

 

Shooting on Fifth Ave?

DATELINE: Outrage Unleashed!

 Garrett Needs a Roy Cohn?

Forget your Easter bonnet for the big Thanksgiving parade. Donald Trump and Myles Garrett are leading the parade of felonious media freaks.

On a day when Donald J. Trump intimidated a witness at a Congressional hearing, we recall his comment that he could shoot someone on Fifth Avenue and no one would give a fig.

Since then, the candy bar has come into Renaissance, and the New York mayor claimed that they would indeed arrest Mr. Trump. However, if you are a Republican in Congress, your job is to re-load the weapon, as if the POTUS were a shooter in your typical American high school. Trump likes to kick Sandy Hook in our collective faces.

Now, we have a case in parallel where Mason Rudolph, a QB of the NFL, has assumed that violence will be done unto him on the playing field. And now, Myles Garrett has taken that presumption and done a deed that is comparable to Trump’s boast. Lock and load that helmet, fans.

QB of the Steelers, Rudolph, did not die and was not seriously injured, though his vanity may be fatally overexposed. It is Myles Garrett who has achieved the ultimate notoriety: he is the Trump of football.

He can shoot a helmet to the head of an opponent and be guilty of felonious assault but get away with it. His action has been called “embarrassing” by some teammates and coaches. There will be no arrest and trial. This is not hockey, a sport of immigrants from Canada. Trump might threaten a wall to prevent those Canadians from bringing sticks to the game. 

Trump plans to continue to call for the ban of Colin Kaepernick but likely will call for amnesty and pardons for Myles Garrett.

Attempted murder on national television is more than embarrassing, and the Cleveland Browns are intimidating NFL fans with it’s “just a game,” mantra.

There is nothing just here. Justice died on Fifth Avenue, in Congress, and at pep rallies held by Trump.

Ghost of Bogart

DATELINE: Not Again? 

  Jerry Lacy as Bogey

We went back in our time machine to the time machine of 1972 who brought us back to 1942. It is Play It Again, Sam,which features Humphrey Bogart advising Woody Allen.

No, Sam never appears once yet again, even in the actual film clips from the movie Casablanca. Dooley Wilson seems to be discriminated against. He sings part of “As Time Goes By,” at film’s end.

This astral route brought us face to face with legendary tough-guy star, Humphrey Bogart. He returned in 1972 in the guise of Jerry Lacy, an impersonator who had a decade of roles as the iconic man in trench coat with Borsalino.

Alas, to see Bogart’s best scenes in Casablanca, you had to endure Woody Allen as Allen Felix, movie critic before the Internet and blogs, who adores Bogie and has an apartment decorated like a 1942 teenage boy. Those collectibles are worth big bucks today.

Though Allen wrote and starred in this vehicle, it was directed by Herbert Ross which gives it some grounding as a ghost story.

The appearances of Bogart dispensing advice to nudnik Allen is appalling, as he speaks sexist and violent attitudes that he never expressed in his movies or real life a generation earlier. If you see this film as homage to Bogart’s Rick and his romance with Ilsa, you have been sold a bill of goods by shyster Allen.

The film comes alive when Bogart and/or Lacy appear, and the film goes down the chute when Allen’s nutcase New Yorker takes center screen.

The Sam “again” part has more to do with Allen re-enacting the Rick role with Bergman in a climactic scene. This was before Allen became Bergman (Ingmar, not Ingrid).

Diane Keaton and Tony Roberts take on thankless roles in Allen’s world, which Keaton was able to transcend by slipping over to The Godfather at the same time she did this film. Roberts and Lacy were not as lucky.

Though the Bogey ghost appears with more frequency in the final 30 minutes, it is not enough to save the story from itself.

Whether Bogey conjures his personality as a dream, an hallucination, or the actual spirit of a movie icon, may be in the eyes of the beholder. We like to think Lacy channeled the real star, but taking it in again decades later, we see this is not a ghost, but a frightful excuse for Allen to behave badly and perform even worsely.

 

 

 

Missouri Breakage! Classic Brando/Nicholson

DATELINE: Them’s the Breaks, Pardner

 

Mother Hubbard aside? Smile when you say that! 

Return with us to the thrilling days of yesteryear when Marlon Brando teamed up with and up against Jack Nicholson to make a Western. It’s called deceptively The Missouri Breaks.

It was 1976, and both Godfather and One Flew Over the Cuckoo’s Nest were history.

What’s left is the new frontier of two highly-charged actors going head-to-head.  However, like most of these superstar confrontations, the actual meetings are limited to some off-beat actors’ studio hambone. Brando actually has a small role and does not appear during the first half-hour.

Nicholson plays a horse thief whose gang falls under the observation of a “regulator.” It’s Brando in a dress and looking less zaftig than usual.

We may see parallels to The Left-Handed Gun in that adolescent world of cowboys because Arthur Penn is on board to direct the strange antics.

If there is a surprise, it is that Brando looks much younger than you’d expect, and Nicholson looks somewhat older.

You should expect the usual Brando laundry list: he has an inexplicable Irish brogue and other quirks that characters disdain (lilac cologne? walking under ladders?).  It is doubtful they could have switched roles like Burton and O’Toole in Becket. When Brando inexplicably wears a Mother Hubbard dress, you figure Nicholson surrendered the prize.

There is some wry humor interspersed and some outlandish details to take the Western into the Far Country. In case you are wondering, the Breaks in the river Missouri can be found in Montana.

We cannot imagine that Brando and Nicholson rehearsed any of this stuff, probably trying to shock the other’s performance. Already Brando is self-limiting, but there is no later laziness in his performance. He is up against the high-stakes gunslinging Jack Nicholson. And, perhaps, he saw this as High Noonfor the age.

Since this movie cannot be enjoyed on any conventional Western level, you take it as a psychedelic trip down memory lane. Don’t even think about the symbolism of Jack pulling a gun on Brando as he sits in his bubble bath.

With so many desperadoes (Harry Dean Stanton, Randy Quaid), you can count the deserving bad ends for western villains. It’s a romp.

Wildest Bill Hickok

DATELINE:  Madison, Olyphant, and Bridges

Somewhere between the TV series Deadwood version of Wild Bill Hickok (limned by Keith Carradine) and the TV series Wild Bill(limned by Guy Madison), you have the version from Walter Hill and played by Jeff Bridges as the wildest Hickok of all.

As a Western on the tale end of movie westerns, this one is a classic mostly undiscovered. Wild Bill has a wonderful cameo cast and is filled with comedic violence.

In this version, Keith Carradine is Buffalo Bill. Ten years later he would join Timothy Olyphant in the HBO series for a few episodes as Wild Bill.

Here, the rootin’ tootin’ Calamity Jane is Ellen Barkin, and one of Bill’s Brit friends is a biographer played by John Hurt.

The bad guys lining up to be dispatched in colorful fashion include such as Bruce Dern and David Arquette.

Wild Bill traipsed through the litany of Western venues from Abilene to Deadwood, making appearances as a ruthlessly violent marshal who’d shoot you in an instant if the matter called for breaking lawbreakers.

James Butler Hickok found himself trapped in celebrity and became Wild Bill as a profession, requiring certain behaviors and attitudes.

The film, utterly timeless depiction of a Western legend, provides us with a conspiracy theory behind the tale. It would seem that the sniveling coward Jack McCall was, perhaps, hinted at an illegitimate son of Hickok.

You may find that the Olyphant-McShane profanity laced TV series owes much to this film—and it’s done with a modicum of the bad language of bad guys.

Bill Gates Joins the Epstein Denial Club

DATELINE: LOL Lolita Express!

 Yuck or Yikes?

Lest we stir up a hornet’s nest of billionaire idiots, we want to castigate Bill Gates right out of the gate.

This week we learned that this richest man on earth type is either an idiot or thinks we are idiots. He denies he was a friend (close or otherwise) of pedophile suicide Jeffrey Epstein.

The frequent flier mileage and chronic visits to Epstein were all strictly for philanthropic reasons: not personal and not business.

Gates does write to a friend that he met a beautiful woman and her young daughter at Epstein’s manse and decided to spend the day. Hunh?

This is like Trump saying that he knew Epstein liked women, especially younger ones, and they shared that interest. Grab’em while they’re hot.

Nowadays, with money to revise history, these billionaire bozos are hiring PR men and women to whitewash the facts.

How illiterate are these clowns?

That seems to be the only excuse: each, even President Clinton, flew on Epstein’s rock and roll private jet, dubbed “Lolita Express.”

Not one had the literary acumen to recognize Nabokov’s pedophile object of desire. Not one asked why the plane was named after a pre-pubescent girl. Not one had seen the two movies on the subject, yes, titledLolita.

How lacking in curiosity can they be? Enough to know that ignorance is bliss; deniability is paramount in the world of billionaires trying to get away with murder, suicide, and pedophilia.

We have had our fill of dumb-bunny, Playboy bunny-loving rich dopes. Go to the back of the line, Gates and Trump.

Enough of Moral Lepers (Antonio Brown)

DATELINE: Gone Not Soon Enough!

  Devils You Know!

 

Let us rant: we are tired of defending the indefensible. Walking out of a press conference as did Bill Belichick is not a legitimate response. Throwing Antonio Brown overboard the S.S. Patriots was legitimate.

Antonio Brown has now crossed a line even we have lost the heart and stomach to defend. Yes, he is a talented player who could guarantee a Super Bowl for Tom Brady and Patriots, but enough is enough. Robert Kraft chose to end the symbiosis before it became thrombosis.

Brown has now sent out tweets (reminiscent of another serial criminal escapee) that threatens a woman who said he was sexually lewd and offensive to her. What is worse he impugned her motives as wanting money—when she has asked for none.

Then, he tweeted out photos of her children. Yes, his accuser’s innocent underage children. What has caused this society to spawn creatures of such darkness that to pillage, to rape, and to shoot anything that so moves them?

We are weary of defending moral cripples and serial predators. We are tired of letting mentally-challenged slime-balls pass by the balls they catch because they might help a professional sports team win. There are no balls big enough to support such disgusting fiends.

By next day, he tweeted he was fired by the Patriots.

We are sick and tired of behavior that may be as twisted as ethics of modern money can buy. Yes, these people use money as a power bludgeon. We no longer want to support with our business and attention the works of people like Antonio Brown, or Jeffrey Epstein, or Donald Trump, or Roy Cohn. Yes, we lump them all together as moral lepers.

Invitations are not open-ended, and tolerance of bad behavior is even shorter.

If you don’t see a difference here, you may be an evangelical hypocrite, or a simple-minded sports drunkard who roots for the home team when it is the home-wrecker team.

Family values may not be our thing, but decent human behavior is. It’s time to put us out of misery: put Antonio Brown on the NFL “enemies list.”  He has now thrown away millions of dollars, his career, and any hope of sympathy.