DATELINE: The Line King
Hitch by Hirsch: we couldn’t find Nina.
Al Hirschfeld likely hated being considered an artist who was a cartoon caricaturist. He was much more, and only in recent years after a 70-year career is he receiving his due.
Hirschfeld is the titled The Line King in this fascinating and surprising documentary. It divides his life and career into decades from the start of the 20thcentury. He lived well past 90 and was active until the end.
Hia works are notable for the gimmick “Nina” name of his daughter that need to be located—and in multitudes, counted. It was another device that seemed to lessen his artistic reputation, though it is a clever indication of how bright his mind always was.
He started out sculpting and doing watercolors, but those did not sell. He worked in early movie studios, under Selznick and Mayer, sketching all the great comedians. He knew them all, too, including Chaplin who rescued him from poverty when he was in Bali without funds.
The Line King learned about people daily, and his wisdom emanates in every segment that relies on interviews he gave.
What a brilliant man—and many stars, like Katharine Hepburn, bought his works and offer glowing testimonials to his insight.
He never tried to be cruel. When he did his most nasty version of David Merrick, the Broadway producer bought the original and put it on his annual Christmas card.
Hirschfeld did all his work in his little office sitting in a barber’s chair, his idea of comfort, and worked seven days a week. He never had a contract with the New York Times until his last years—and he was more important to Broadway and film than the critics.
If you wanted a seminal insight into every great performer and his work, you need only consult a Hirschfeld sketch. Absolutely brilliant and the film is too.