DATELINE: Classic Movie Requires Another View
The amazing classic French “art” film called Last Year at Marienbad was a tremendous influence on TV commercials. It was too esoteric to do much else for dumb audiences.
Well, the film has been re-mastered—and is stunning to see. The rococo corridors we saunter for long ambling walks are fresh with elegant details.
The narrator with ennui seems even more parfait for the job. And, you cannot find a more stylized actress than Delphine Seyrig. She couldn’t follow up this act with any other film performance, which is a career defining acting job.
You soon are staggered by the actors who wander the hallways making the same comments repeatedly. They never blink. It is rather disconcerting, but Resnais never let them blink in a scene, and most of the time they are moving at a snail’s pace.
We loved the cameo of Alfred Hitchcock to set the tone in the first 15 minutes.
Is it Marienbad or Frederiksbad? The grounds outside the hotel are so bizarre as to fit the nature of the tale.
And, the tale is a ghost story. Long before Stephen King took us to a Colorado haunt, the Marienbad location is even more horrific without one shred of blood. However, there are mysterious deaths. Who shot whom? And who fell off the balustrade?
The game with matchsticks is maddening—and fate.
The characters often refer to seeing phantoms or not being alive. Well, yes, they are all dead, reliving that hideous season when the lake frozen over in 1928, or was it 1929? They have lost track of time for good reason. They keep reliving every creepy moment.
This is a hypnotic and truly overwhelming movie that will be beyond the attention-deficit audiences of today. Watch in small doses. You will fall back under its influence almost immediately—and you will re-live every moment at Marienbad forever. Years will not matter.