DATELINE: Aging Badly.
Allam & Evans.
Sixth season, episode 2, takes place at the time of the Apollo Moon landing. So, it is only natural that the murder victim at Oxford is an astrophysicist. Endeavour is more earthbound than the astronauts in July, 1969.
Morse is an exhibits officer who routinely oversteps his bounds. His new superior sees him as a condescending twit, and he may be right. Morse’s friend, Jim Strange, notes that the brilliant detective has not lost his heavy-handed social skills.
This episode is directed by star Shaun Evans.
Thursday (Allam) keeps reminding him that they are part of a bureaucratic system that follows chain-of-command, but Endeavour is the rebel within the system.
While astronauts make giant leaps for mankind on the Moon, back on Earth there are small steps toward crime solving by hard-working detectives.
Perhaps what’s most interesting about the historical inaccuracy of the series is that the days when cops were despised by youth movement types, you have them with more virtue and dedication than Joe Friday ever showed.
As a mystery show, Endeavour always puts together disparate elements into a stew that may be overly complicated. Punch and Judy has now reached marionette TV space shows of 1969, where jealousy and spousal swapping are the hot topics of the day—and motive for murders.
The regulars (Roger Allam, Anton Lesser) and others recognize now how good they had it in the previous five seasons. Now, they are reduced to working under lesser talents while bigger events overwhelm the world.
Though this series is not as elegant or finely tuned as an Agatha Christie story, you may find it convoluted on the side of intellectualism. That’s a rare problem in this age of unusual idiocy in TV shows, detective programs, and characters in general.