DATELINE: Bittersweet Docdramas
The resemblance to Laurel and Hardy is uncanny.
Stan & Ollie has a resurrection quality to its stars.
You might credit makeup masters, but there is also the subtle posture and gesture of the two stars as they mimic the familiar comedic personalities of the great movie team of the 1930s.
You have likely seen these two stars doing star turns in popular movies with tepid reviews: this is their best work and may end up being their least viewed movie. Laurel and Hardy belong to aficionados of film. Young people (meaning anyone under 40—or even 50—may be in the dark about the great comic duo).
John C. Reilly plays Babe Hardy, Mr. Oliver Hardy to you. And Steve Coogan plays Stan Laurel. A Brit and a Southern gentleman were an unlikely partnership but were created by studio chemists. It was a team that clicked so well it became legend.
The movie starts in 1937 at their pinnacle of success, doing Way Out West and their amazing little dance routine. It is repeated several times for good measure. Badly paid, with little artistic credit, Stan Laurel feels slighted as Chaplin and even Buster Keaton received more accolades.
By 1953, on the down-slide with age and television co-opting their earlier films, they embark on a tour of the British Isles to re-kindle their magic. Alas, the movie turns bittersweet, with far more bitter than sweet. Breaking up is never easy.
Bad blood, old age, and festering antagonisms, seem to dog the two stars. The movie replays their famous routines as if it is part of their real lives. And, they are pure show busy folks: the show must go on, and they are always on. Poor, dear souls.
Fans may find this hard look harder to take than a Hal Roach (Danny Huston) cheapskate contract. As oldsters, they had to work; no fortune followed fame.
Younger viewers may well be advised to go back to movies like Way Out West, or shorts like Their First Mistake, for seeing comedy genesis. This movie, like old age itself, is anticlimactic.