DATELINE: Renewed Classic
Rami & Charlie.
Perhaps every 50 years or so, a movie needs to be re-made.
This gives a new generation of actors a chance at grand roles, and an audience unfamiliar with the original to see a version that is in tune with the times that half-a-century causes.
Take Papillon, the Devil’s Island classic tale that starred Steve McQueen and Dustin Hoffman so many years ago. Those who remember will tell you how great they were. Those who see Charlie Hunnam (Sons of Anarchy) and Rami Malek (Mr. Robot) in the recent version will not understand how these two could be surpassed.
Yes, this remake is brilliantly done: in ways that the other never touched: such as the motif of bowels as hiding places. Money pellets are within the mess of diarrhea to be searched. This film is brutal in its sadism and disgusting conditions, perhaps even more appalling than the original.
Henry Charriere’s true story of a man battling the odds of prison condemnation is always a good yarn of hope and hopeless. Director Michael Noer manages to convey the power of a literary classic.
We particularly liked the sequence when the warden has a showing of 1933 King Kong while the repugnant, fat turnkey is in dalliance with a young whelp while Papillon plans his escape.
There is a chemistry between Malek and Hunnam that transcends the original pairing of actors who were stars for more distinctive, discrete audiences. These new young stars have rapport and remain in tune as their relationship blossoms. In a scene Malek plays a mime who performs for Hunnam in a Paris dream sequence.
Hunnam notes it is too soon for a “proposal” in one scene, but the fearless director makes his song of bonds between oddball men quite effective.