DATELINE: Hi-ho, Hi-yo!
When you tie together the first 3 episodes of the 1949 TV show The Lone Ranger, you have an early TV movie. Indeed, some years ago, the producers edited these extraordinary moments into a short film. Sometimes it is called Enter the Lone Ranger, or Origin of the Lone Ranger.
The latest edit is called The Lone Ranger Story, answering all your questions, according to the narrator.
You have to guess which one of the six Texas Rangers is, in fact, the one who survives a terrorist attack by a Manson-style gang. You never see his face until he dons the mask. He cannot put on the mask until his face heals.
On top of that, he will presume to be dead, making an empty grave for himself. He is a ghostly vision of revenge against lawlessness. He rises from the dead after three days in a near coma.
His faithful companion, Tonto, bleaches his hat white as a symbol of his new identity. He cuts a mask from the vest of the Ranger’s dead brother.
You see him crawling to a spring to save himself, but only when his childhood friend Tonto appears is the Ranger likely to survive to another day. As the narrator states: “He was a fabulous individual.” He was indeed a walking fable.
In case you forgot, the Masked Man is rich: he owns a silver mine—and takes his payment from that. He also casts silver bullets: another symbol of justice, never to be used on another person. He will hand them out like calling cards. He wears Tonto’s ring around his neck.
And, to finish the silver motif, he finds a white stallion of great indomitable spirit with whom he bonds. Hi-yo, my goodness!
The film is old, simplistic, and utterly charming with the exciting William Tell Overture as a musical background. Clayton Moore’s baritone is authoritative, and Jay Silverheels is the ultimate in noble savage. The horse ain’t bad neither.
What a treat from the thrilling days of yesteryear. The Lone Ranger rides again. Oh, you, Kemo Sabe.