That’s Show Biz!
Michael Crichton’s Futureworld’s troubles come back to Nolan’s Westworld 2.5.
Has Westworld begun to self-destruct? Season 2.5 is beginning to look like it’s a parody of itself, at worst. We half expect James Brolin and Peter Fonda, from the original two movies, to show up.
Creative genius Jonathan Nolan and his partner Lisa Joy seem to be giving the fans exactly what they want, but not exactly the way they want it. We have been treated to two worlds that were never in the Michael Critchon original: Raj World and now Shogun World. It seems much ado about nothing much.
The series has become a satire on TV writers, as the one character who allegedly has written all the programmed dialogue of the robots complains that it was too much work trying to keep with up 300 story-lines.
So, he cheated. The characters of Westworld are now in Japan, and the idea of meeting your double who speaks exactly the same words, but this time in Japanese, has an unsettling effect on the robots.
You’d think a multi-billion dollar operation like Westworld would have hired more writers. Heaven knows we find the Internet is filled with them, all giving Jonathan Nolan more exegesis of his plots than at a symposium on Moby Dick.
The latest episode seems almost as if Toshiro Mifune is giving Yul Brynner pointers on the Magnificent Samurai Seven.
We feel as if there is far less going on this season, and we are already half-way to the end. What kind of cliff-hanger is in the offing?
We know that some humans are trying to restore the park(s) and save Delos Corporation some money by saving any “hosts” worthy of the name.
If there was a revelation here, we suppose it was the sex lives of robots are not much different than real people as Evan Rachel Wood and James Marsden, perpetually virginal in their robot roles, doff the union suits.
Yes, Mr. Nolan, 300 story-lines are too much for one writer.