Kinky Puss’n Boots

DATELINE:  A Really Big Shoe

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Kinky Boots may kindly be called an old-fashioned character drama. The difference is that it’s about drama queens in men’s shoes. It was later turned into a smash stage show, but the 2006 version is one of those working class British angry young man movies (except the young man dresses like a woman).

The two characters in juxtaposition are, first, the son of a shoe factory heir facing bankruptcy for making traditional footwear for men when disposable sneakers are the rage.

The second young man likes to wear high-heels and becomes a cabaret star in drag shows.

Under normal circumstance, you almost would expect the two men to slip into each other’s loafers at some point. Thank heavens, Kinky Boots keeps us in our own lanes and avoids any moments with glass slippers.

Joel Edgerton is the scion of shoemakers who learns that market niche for men’s boots with stilettos is high end. He meets Chiwetel Ejiofor in a career-busting role as Lola, the giant man in glitter. They kick up the story. Chiwetel also sings us a torrid version of “Whatever Lola Wants.”

Unfortunately, to walk a mile in one man’s shoes, or high-heels, may be a stretch too far. The movie makes its points early and often but keeps on giving us more. The climax on the runways of Milan for shoe biz is too much glitz for our own good. Hero and audience fall flat.

Lessons in what defines masculinity and manhood are made a few times too many. It’s always hard to figure out British men anyhow since, to American eyes, they all look ready to put on a feathery boa and dancing shoes.

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