DATELINE: Horror: Cash & Carry
Spacey v. Plummer?
All the Money in the World will be remembered for several reasons: first, it is the story of the kidnapping of J. Paul Getty’s grandson in 1973. Second, it is the film that Kevin Spacey’s performance was erased and replaced. Third, it is a Ridley Scott movie about an out-of-control, voracious monster—a billionaire.
As J. Paul Getty, Christopher Plummer, at 88 years, came in for nine days and re-did all Spacey’s scenes. It was more amazing for being notable for having some CGI elements. One scene had to be faked—and Plummer’s head is on Spacey’s body in one scene filmed in Jordan.
Most of the hard work was done at break-neck speed for an elderly actor who rose to the occasion. His key scenes with cast members were re-shot. Scott re-edited the pastiche and eliminated the detrimental performance of Spacey. As box office poison, Spacey would have sunk the movie. Plummer astounds.
As for Plummer, he is brilliant. If you see Spacey’s bad makeup, you realize that Scott made a correct decision by letting Plummer act twenty-five years younger, rather than have Spacey act older.
The story about super-rich people is a form of Aliens. Indeed, the narrator grandson (marvelous young star Charlie Plummer, no relation to Christopher) notes that the rich are from another planet.
Ridley Scott’s provenance as an alien creator stands him in good metaphoric movie history here. Plummer’s Getty is a creature from another world.
Michelle Williams as Getty’s daughter-in-law is a powerhouse surprise in this film, and Mark Wahlberg may seem miscast as a fixer lawyer, but acquits himself quickly and in the climax. Another twist of delight comes from Timothy Hutton’s work.
This year’s bad guys are all billionaires – arrogant, privileged, controlling, megalomaniacs. We even have one as President, and this movie tells us why that’s not good.