DATELINE: Reunion, or Bring Yourself Back Online
Ben Barnes and Jimmi Simpson
The second episode should have been first. Westworld 2 was better the second time around.
If jumping across timeframes becomes easier with practice, we should have seen this coming first. Flashbacks highlight the episode to before the start of “Westworld” as a land of fantasy for rich players in which the prototype robots party in Contemporary World, our time.
We even see Ben Barnes again, killed by evil William at the end of the first season.
Everyone dead from last season is alive again through the miracle of backstory. We even see the young Anthony Hopkins flash by and hear his voice, warning the real Bernard/Arnold about his creations.
Ed Harris and his young self, Jimmi Simpson, seem far more explanatory this season and especially in this episode. We are even given the multiple level chess game of seeing flashbacks within flashbacks. It’s as if Joe Mankiewicz at his greatest Hollywood style had been reincarnated in android version Jonathan Nolan.
Yes, Westworld returned to the thrilling days of tantalizing its core viewers, as the ultimate tease mystery.
To see Dolores in modern times, given insights by her creators, lends understanding to the revolution of robots in Westworld.
A few stories even briefly cross before future episodes will give fans more insights: Thandie Newton and her beau automaton Rodrigo Sandoro meet the strong-willed Evan Rachel Wood and James Marsden.
Will they meet again? Don’t know where, don’t know when.
Jeffrey Wright’s real person (not his later robotic self) figures only in the opening. His future scenes of the previous episode remain inexplicable at this point.
Story arc of the first episode, less interesting, was completely missing this week—and the meat of the sadistic monster hosts dominated the proceedings. We may not fully understand where this is heading, or who will return again, but Nolan and his partner Lisa Joy have produced an intriguing series, season two