DATELINE: Capote’s Clutter Story
With a dozen years passing since Bennett Miller’s brilliant movie called Capote, we chose to look at it again. There were two Truman movies that year: competing for attention.
We felt at the time that Infamous with Toby Jones as Capote writing his non-fictive novel was the better. Phillip Seymour Hoffman won the Oscar.
We wished that the two films had mixed casts. It seems each had good points. We remain impressed with Hoffman’s work as Capote. A big man, he managed to convey a sense of the elfin Truman. Jones was already the right size, being tiny.
Clifton Collins, Jr., remains so impressive in his work as Perry Smith, the sensitive killer with whom Capote seems to have fallen in love. Casting Daniel Craig in the other movie seems an odd choice. He was all wrong.
As in each movie, there is nothing more cold-blooded than a writer and his greatest work of literature. Don’t ever get between them.
Hoffman’s fey Capote has a ruthless, cold, hypocritical soul. He lies repeatedly to the killers of the Clutter family to gain their trust. Perhaps the two brutal murderers did not deserve much more than a lying hypocrite to befriend them.
Capote and his friend Harper Lee (also so well done by Catherine Keener) spend hours in Kansas doing research. Without her, Capote might not have a book—and he was less than supportive of her work, To Kill a Mockingbird, that she wrote even as she gave Truman her assistance.
We preferred Jeff Daniels as the detective on the case, though Chris Cooper is soberly affecting.
In the end, Capote did not want to discuss much with the killers until they gave him his ending and confessed how they did their murders. He also could not publish his book until they were executed. So, he simply stopped helping them find lawyers—and truly wanted them dead.
The flamboyant joke that Truman ultimately became likely came from his work on that book and his self-disgust. He never finished another book during the 20 years he lived after the execution of Perry Smith.
We still prefer the other Capote movie, Infamous, as a total movie experience, we must again give kudos to Capote as a film with impact and lasting emotional pain.