Hurricane Clint Eastwood Downgraded to Breezy

DATELINE: Better to Stay Lost

breezy

In his third directorial effort, back in 1973, Clint Eastwood took up the challenge of a romantic comedy.  It probably sounded easier than he expected because he had William Holden, even aging and falling apart, as his charming, cynical leading man.

This atrocity is called Breezy, rhymes with easy, named after the hippie free spirit who haunts William Holden. It might have been more hilarious if Breezy was a teenage boy. But Clint doesn’t eat sweets.

However, the moribund script features one fantasy hippie girl who believed in free love of the era. Perhaps it was realistic back in the early 1970s in L.A., but Kay Lenz presents one of the most annoying, anachronistic versions of a promiscuous teenager we have seen in decades.

We cannot figure out why Holden’s well-to-do businessman didn’t toss this annoying and cloying girl out on her keester when she first appears to panhandle and try to con him. Are all men victims of their sex drive?

That Holden falls in love with her seems to stretch credulity for a character who never has fallen in love with any woman.

On top of all this, we are then faced with the embarrassments of May-December romance being denigrated by every other character Holden knows in the movie script. Really, Clint?

We almost hoped Holden would turn into Dirty Sex Harry and shoot the whole lot of slut hustlers. Of course, it’s not that kind of film, alas.

If the saccharine hippie girl isn’t enough to rot the script, you have an overlay of Michel Legrand music. Apparently, Clint gave himself plenty of challenges to overcome. You may drown in movie sweetness, not typical Eastwood.

Clint fans knew better than the novice director—and ran away from this clinkeroo. This was not even a good character-driven story, though you can see how Eastwood wants to develop it. The film wastes William Holden– and Eastwood too.

Many critics in hindsight think this was Clint’s most “personal” film. We doubt it. He was still learning his craft by directing in an unusual setting and genre.

Destroying the film negative might be a better challenge to undertake. Clint likely chose to ignore the movie as time passed as an experiment in directing. This movie is a freak of his oeuvre.

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