DATELINE: Hold the Oscar
For those who forgot, we are reminded that Bette Davis gave the Academy Award its nickname, “Oscar,” because he resembled an old flame. As you might expect, Joan Crawford did not appreciate this usurping of Hollywood legend.
The two stars await bad news in the fourth episode. Word of mouth is that Baby Jane, or mistakenly called Baby Doll, is a stinkeroo. And, their work has not brought in more roles. In fact, everyone has lost faith in their project.
But, a sneak preview is a shocker, even more than the movie. Whatever Happened to Baby Jane is a hit. That sends Bette and Joan into different strata of psychology. Bette revels in the rejuvenation, and Joan realizes she is second banana for the critics.
Director Bob Aldrich (Alfred Molina) also comes to realize one-time success will not change his career. Jack Warner (Stanley Tucci) wastes no time in belittling him as much as star Frank Sinatra who proves a boorish star in his rat pack picture directed by Aldrich.
The series continues to use sharp-edged Hollywood trivia to provide laughs and hoots about the era and the foibles of the stars. It was the age of television as a publicity machine—and Bette goes all out on TV guest roles (as in Perry Mason, or on talk shows like Jack Paar), while Joan wallows in drink, fires her agents, makes drunken calls to Bette.
All this precedes the dreaded announcement for nominations for Oscar; everyone thinks Bette Davis is a shoo-in, and Crawfish is a dead fish.
The crux is that we the viewers enjoy this stuff more than those “old broads,” as Crawford takes offense to Davis’s characterization.