Final Problems with the Series: Unhappy Ending

DATELINE:  Solution’s End

holmes-boys

Holmes boys—minus girl

There has always been a tendency to go overboard on flashbacks within hallucinations for the BBC update of Sherlock. And, trying to bring back Moriarty (wonderful over the top Andrew Scott), turned the final episode of Season 4 into a logistical pretzel.

The notion that Mycroft has locked up the homicidal sister of the Holmes boys is daring and ridiculous—and making her a girl with an interest in Jim Moriarty certainly allows for license. We fell into more plot holes during this episode than in the entire Holmes canon.

Alas, how the Holmes girl managed to escape her prisoner asylum island out in the middle of the nowhere ocean pushed the envelope and “note” clue from the Culverton Smith episode into a conflagration highlight of the last show.

Yes, she blows up 221b Baker Street and nearly kills all the stars. The residence will be rebuilt in a coda at episode’s end. However, overkill seems to have taken over, killing subtlety.

We really don’t want Sherlock to turn into the dreadful movie franchise with Robert Downey and Jude Law, utterly miscast lunacy. And, we are not amused to find the dreadful American TV series showing more intellect than this British counterpart.

Eurus is sister’s name.  It’s Greek for East Wind. Oh, we get it. Clever works, but pyrotechnics seem ready made for American TV ratings, not civilized British drama.

Mark Gatsiss finally has a big problem, not a solution.

The series likely will not return for two to three years, if ever. And it makes the “if ever” clause more attractive than anytime in the past four seasons.

The fourth season ends with conclusion that might suffice if production and stars never do another. It also sets a clean slate for future episodes with Holmes and Watson in Conan Doyle style again. Quien sabe?

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