DATELINE: Move Over, Yul
If you liked Jonathan Nolan’s computer savvy approach to Person of Interest, you will thoroughly enjoy his latest foray into the technology of the future.
Nolan has sunk his teeth into the old Yul Brynner sci-fi classic by Michael Crichton, Westworld. As producer, director, and writer, he is bringing his unique talents to a new fascinating project. It is hypnotic, chilling, and fascinating.
Bringing in Anthony Hopkins as the dubious owner and creator of Westworld and Jeffrey Wright as his technical expert left-hand, you have the behind-the-scenes string-pullers for android marionettes and martinets.
In the realm of the theme park itself, playing a version of Yul is Ed Harris as the Man in Black. This time he is not an android, but worse—a genuinely disturbing real person with an ugly penchant for violence.
Programmed not to hurt humans, the androids seem to be breaking down—or have been given a virus to send them into danger mode.
The opening episode on HBO sets up the premise of a handsome production with gripping ideas and smart cast (James Marsden is a robot, folks).
As in his highly successful Person of Interest, Nolan manages to make his anti-heroic theme park both a paradigm of evil and an homage to fantasy.
Though this may send you running to see the old 1973 flick with Richard Benjamin as the bumbling victim of Brynner’s obsessive robot, this new version is far subtler and has the luxury of weeks of exposition to make its point.
This has cable series mega-hit written all over it, and Nolan has managed to avoid the anti-intellectual CBS moguls whose appreciation for brainless entertainment has condemned them to pabulum TV and canceling Person of Interest.