DATELINE: MOVIE MASHUP
We can think of a couple of great movies that never made it to post-production: I, Claudius with Charles Laughton as the Roman Emperor, and Dune, the Jodorowsky version. Both were made later in an era better able to handle the themes and technical aspects.
Years before David Lynch made an abysmal version of Frank Herbert’s Dune, Alejandro Jodorowsky—one of the great experimental filmmakers and artists—put together pre-production for an original epic. Now comes the documentary telling how it failed to be filmed in Jodorowsky’s Dune.
Studios wouldn’t accept the director: he was a gaucho warrior from South America—and he’d likely be out of control. His previous two movies were staggering achievements outside the system.
Now nearly 40 years after his greatest film project was denied him, he and his producer Michel Seydoux put together a documentary to tell the tale.
Jodorowsky’s film and artistic team would have blown away audiences—or chased them away. His ideas then went into dozens of 1980s movies from Alien up to Prometheus, from Flash Gordon to Star Wars. What could not be done with special effects in the 1970s was possible a few years later.
Jodorowsky had seduced great minds to join him in his endeavor. Orson Welles, Salvatore Dali, David Carradine, and Mick Jagger, were the cast.
Like a cult leader, Jodorowsky could charm everyone—and even as an old man, you can see his energy, his integrity, and his style, in this film about the unmaking of Dune.
What a crime it is for the true visionary to be refused the union card for Hollywood, but the great filmmaker could rise above it—and even took pleasure in the Lynch’s inability to translate Herbert.
Those who love movies and great art on film owe themselves a chance to see this intriguing story of what might have been.